1)MaoShi《毛诗》
1.The Status and Destiny of MaoShi in the Study of Confucian Classics in Han Dynasty;论《毛诗》在两汉今古文斗争中的地位和命运
2.The Tang poetry has absorbed rich nutrition from Maoshi and the explanation on the study of Confucian classics in the fields of dominant human spirits,critical spirits and the lyric arts,thereby casting the poetry achievements with high spirited and healthy style and full of human emotions.唐诗在主导的人文精神、批判现实精神和抒情言志的艺术等方面从《毛诗》及其经学阐释复杂、庞大的体系中吸收了丰富的营养,从而铸造了品格昂扬健康、充满人文情怀、现实精神和抒情艺术再创辉煌的唐代诗歌成就。
英文短句/例句
1.On the Influence of Mao s Poetry and Its Confucian Classics Explanation on the Literary Value of Tang Poetry;《毛诗》及其经学阐释与唐诗文学价值
2.Three Annotative Interpretations Of On Poetry;三种诗论的诠释学观照——《孔子诗论》、《左传》、《毛诗》解诗差异之分析
3.Comparative Study on the Exegesis of the "Mao Shi Gu Xun Zhuan","Mao Shi Jian" and "Shi ji Zhuan";《毛诗故训传》、《毛诗笺》与《诗集传》训诂比较研究
4.Poetry with Aethetics, Poetry of Inscripting History--New Views on the Poetry of Mao TseDong;以美铸诗 以诗证史——毛泽东诗词新论
5.Mao Zedong the Poet of the Red Flag: A Comment on the Red-Flag Image in Mao Zedong s Poetry;红旗诗人毛泽东——评毛泽东诗词中的“红旗”意象
6.Conclusion: Chu Bamboo edition On Poetry is not the origin of Preface to Mao Poetry.因此，楚简《诗论》不可能是《毛诗序》的祖本。
7.The Differences and Sameness between Maoshixu and Shijizhuan;析《诗集传》与《毛诗序》的异与同
8.The Inheritance and Development of The Preface of Mao Poem to the Theory of Confucian Poem;《毛诗序》对儒家诗论的继承与发展
9.A Comparative Study of Dai Zhen s Maoshibuzhuan and Gaoxishijingbuzhu;戴震《毛诗补传》与《杲溪诗经补注》比较
10.A Rough Comparison of the Literary Conceptions of "The Preface to Mao s Poems " and "The Preface to Grades of Poetry";《毛诗序》和《诗品序》文学观念的浅略比较
11.A Comparative Study of Comments on Poems in Book of Songs on Bamboo Slips Kept in Shanghai Museum and Those Contained in Mao s Prefaced Version of Book of Songs;上博《诗论》的论诗特点与《毛序》的作期
12.From the Criticism of Su Zhe about The Preface to The Book of Songs to Examine His Thinking about The Book of Songs;从苏辙对《毛诗序》的辩驳论其诗学思想
13.Second Appraisal of Poetic Criticism by Confucius and Maos′ Preface to the Book of Songs Written on Bamboo Slips and Collected in Shanghai Museum;上博竹书《孔子诗论》与《毛诗序》的再评价
14.An Analysis on Liuyi in Preface to Mao Poetry--Memoir of Reading The Book of Songs in Study(I)《毛诗序》“六义”解——善阁读《诗》记(一)
15.The Social and Historic Concept of Mao Ze-dong Reflected in His Poetry;从毛泽东诗词看毛泽东的社会历史观
16.A struggle between poems and thought:the poetics of a poet -first essay on Mao Han;诗与思的搏斗:一个诗人的诗学——毛翰论之一
17.The Reasons Why Zhu Xi’s Shi Ji Zhuan Accepted or Rejected the Implications of Mao Shi Xu;朱熹《诗集传》对《毛诗序》诗旨取舍原因浅析
18.Explanatory Differences of Selects of KongZi s Remarks on Poem of ShangHai Museum and Mao s Poetic Preface;论上博简《孔子诗论》与《毛诗序》阐释差异——兼论《毛诗序》的作者
相关短句/例句
Mao Shi毛诗
1.The Recognizing of Mao Shi and its Relation to Poetry Writing of Xi Jin;论晋人对毛诗的认识及其与西晋诗歌创作的关系
3)Shi Mao Zhuan《诗毛诗》
4)the Collating Notes on Mao Shi《毛诗注疏》
1.On the Editions and Circulation of the Collating Notes on Mao Shi;《毛诗注疏》版本流变考略
5)the first preface to Mao shi《毛诗》首序
6)Mao Shi Zheng Yi毛诗正义
1.Investigating the criticism of Mao Shi Zheng Yi on MaoZhuan and ZhengJian——and refuting the viewpoint of the shubupozhu;考论《毛诗正义》对《毛传》、《郑笺》的批评——兼驳“疏不破注”说
延伸阅读
《毛诗正义》 《诗经》研究著作。简称《孔疏》,40卷。唐贞观十六年 (642)孔颖达(574～648)等奉唐太宗诏命所作《五经正义》之一，为当时由政府颁布的官书。孔颖达，字仲达，冀州衡水（今属河北）人。历任国子博士、司业、祭酒等职。其时撰《五经正义》,孔颖达以年辈在先,名位独重,受命主持其事,诸儒分治一经，《毛诗正义》出于王德韶、齐威等人之手，而孔颖达总其成。《毛诗正义》是对于《毛传》及《郑笺》的疏解,"传"、"笺"被称为"注"，"正义"被称为"疏"，合称《毛诗注疏》。《四库全书总目》说:"其书以刘焯《毛诗义疏》、刘炫《毛诗述义》为稿本，故能融贯群言,包罗古义,终唐之世,人无异词。"说明此书内容取材之广和在唐代影响之大。其中包括了汉魏时期学者对《诗经》的各种解释,汇集了两晋南北朝学者研究《诗经》的成果,有的地方并能提出一些新的看法，如对于《史记·孔子世家》所载孔子删《诗》之说表示怀疑等，但其书遵循"疏不破注"的原则，未能越出《毛传》、《郑笺》的范围，对二者的分歧也不敢加以判断，因而不可避免地承袭了《毛传》、《郑笺》的某些错误；在疏解方面此书颇多烦言赘语，这是唐人义疏的共同缺点。 《毛诗正义》通行的有《十三经注疏》本，以阮元所刻为佳，书后附阮元的《毛诗校勘记》。
