1)Pipaxing琵琶行
1.On the art of "using a person to express one s emotion" in Pipaxing;评《琵琶行》的借人抒情艺术
2.The Skills of The Music Describing in Pipaxing;谈《琵琶行》中音乐描写的技巧
英文短句/例句
1.A Discussion on the Performing Techniques of Pipa in Bai Juyi s "Song of Pipa";白居易《琵琶行》中的琵琶演奏技法探微
2.Re-explanation of the Environment in Jiangzhou in the Pi Pa Xing;《琵琶行》中关于江州地理环境的考释
3.Musical portrayal in Travel Notes of Laochan and Song of Pipa;《老残游记》与《琵琶行》的音乐描写
4.Description of Poetry Emotion About Tragedy Complaint and Beauty--Re analyze Pi pa xing;悲怨美的诗情刻画——再析《琵琶行》
5.The Comparison Between Two Poems in Music;《琵琶行》与《李凭箜篌引》音乐描写比较
6.Unfortunate people s anxieties-On the social relationship hidden in Bai Juyi s poem Pipa Xing;沦落的焦虑——论《琵琶行》的社会关系呈现
7.Comprehension after Second Reading of Pipa Xing--Analyze on the state of BaiJuyi s mind when in Jiangzhou;重读《琵琶行》——兼析白居易江洲时期的心态
8.Imagery Space-time Mentality--Style Comparision between Song of the Lute Player and Pathetic Sentiments意象·时空·心理——《琵琶行》与《青衫泪》文体比较
9.Meet Intimate Friend in Reducing Horizon;天涯沦落逢知音——论白居易《琵琶行》诗歌的艺术魅力
10.Emotion--The Key to the Enjoyment of the Poetry and Article--Beginning with the Teaching of Pipa Line;情感——打开诗文欣赏之门的钥匙——从《琵琶行》的教学说开去
11.Story of Renshi and PiPa Xing:The Mutual Influence and the Mutual Permeati on Between Tang Romances and Tang Poetry;《任氏传》与《琵琶行》——唐诗与唐传奇的深层契合及相互影响
12.A Masterpiece Transformed from Musical Art to Linguistic Art--On Musical Image of Pipa Song音乐艺术向语言艺术转化的典范——浅论《琵琶行》中的音乐意象
13.On Bai Chuyi's Affection for Music from the Western Regions Embodied in The Song of a Lute秋月荻花 瑟瑟胡曲——从《琵琶行》看白居易的西域音乐情结
14.We strike the gong in sand-darkened land where wind blows And hear the pipa tell the Princess* secret woes.行人刁斗风沙暗 公主琵琶幽怨多
15.And when the throb of watch-drums hangs in the sandy wind,We hear the guitar of the Chinese Princess telling her endless woe....行人刁斗风沙暗， 公主琵琶幽怨多。
16.The Influence of Transplanted Music of Pi-pa the Development of Pi-pa Art;琵琶移植乐曲对琵琶艺术发展的影响
17.Some of the more noteworthy pipa works are:琵琶的传统曲目有:
18.It is the little rift within the lute,就是那琵琶琴的小裂痕，
相关短句/例句
PIPAXING《琵琶行》
1.Analysis of Poems Pipaxing from Picturesque and Musical Temperament;从绘画与音乐角度读解《琵琶行》
3)Pipa琵琶
1.About the Tone Variation in Pipa Performance;谈琵琶演奏中的音色变化
2.Heart-striking Tunes: An Analysis of Pipa Rhyme Adapted from a Tang Dynasty Poem;千古绝唱沁心扉 抑扬跌宕谱新声——琵琶独奏曲《诉——读唐诗<琵琶行>有感》赏析
3.The Classification and Comprehensive Application of the Tone Color of Pipa;琵琶音色的分类解析与综合应用
4)lute[英][lu:t][美][lut]琵琶
1.The Comparison Study on the Lute Arts of Pudong School and Wang School;浦东派、汪派琵琶艺术比较研究
2.In Qin Dynasty, lute refers to a straight-neck drum with a sound box-also called Qin-Lute,first round,then,pear-shaped.琵琶,在古代是所有弹弦乐器的总称。
3.The music art of lute (a plucked string instrument with a fretted fingerboard) came from the minorities in the west region in the Tang dynasty, giving the audiences and scholars in the central region unusual novel feelings.唐代传自西域的琵琶艺术,为当时的中原听众平添了异样的新奇之感,因而博得了文人学士的喜好,写作了大量有关琵琶的诗歌。
5)Biwa lake琵琶湖
1.The precious experiences on protecting and treating Biwa lake are concluded by field visit.对日本成功治理琵琶湖在环境保护和治理方面宝贵经验进行了总结,包括污染源控制和生态修复技术、环境管理、公众参与和科学研究等方面的内容,供我国众多富营养化湖泊治理借鉴和参考。
2.The administered experiences of Japanese biwa lake water environment were introduced.介绍了日本琵琶湖水环境的治理经验。
6)Lake Biwa琵琶湖
1.Inspiration of management experiences of Lake Biwa to Dongting Lake;日本琵琶湖治理经验对洞庭湖的启示
2.Inspirations to treatment of Taihu Lake by technical measures of Lake Biwa in Japan;日本琵琶湖治理的技术措施对太湖的启示
3.Comment on basic idea for protection and regulation of Lake Biwa of Japan;日本琵琶湖保护治理的基本思路评析
延伸阅读
琵琶行
琵琶行
《琵琶行•并序》 白居易【原文】元和十年,予左迁九江郡司马。明年秋，送客湓浦口，闻舟中夜弹琵琶者。听其音，铮铮然有京都声。问其人，本长安倡女，尝学琶琵于穆曹二善才。年长色衰，委身为贾人妇。遂命酒使快弹数曲。曲罢悯然，自叙少小时欢乐事，今漂沦憔悴，转徒于江湖间予出官二年，恬然自安，感斯人言，是夕始觉有迁谪意。因为长句歌以赠之，凡六百一十二言。命曰《琵琶行》。浔阳江头夜送客，枫叶荻花秋瑟瑟。主人下马客在船，举酒欲饮无管弦。醉不成欢惨将别，别时茫茫江浸月。忽闻水上琵琶声，主人忘归客不发。寻声暗问弹者谁，琵琶声停欲语迟。移船相近邀相见，添酒回灯重开宴。千呼万唤始出来，犹抱琵琶半遮面。转轴拨弦三两声，未成曲调先有情。弦弦掩抑声声思，似诉平生不得意。低眉信手续续弹，说尽心中无限事。轻拢慢捻抹复挑，初为《霓裳》后《绿腰(六幺)》。大弦嘈嘈如急雨，小弦切切如私语。嘈嘈切切错杂弹，大珠小珠落玉盘。间关莺语花底滑，幽咽泉流冰下难。 (幽咽泉流水下滩)冰泉冷涩弦凝绝，凝绝不通声暂歇。别有幽愁暗恨生，此时无声胜有声。银瓶乍破水浆迸，铁骑突出刀枪鸣。曲终收拨当心画，四弦一声如裂帛。东船西舫悄无言，唯见江心秋月白。沉吟放拨插弦中，整顿衣裳起敛容。自言本是京城女，家在虾蟆陵下住。十三学得琵琶成，名属教坊第一部。曲罢曾教善才服，妆成每被秋娘妒。五陵年少争缠头，一曲红绡不知数。钿头银篦击节碎，血色罗裙翻酒污。今年欢笑复明年，秋月春风等闲度。弟走从军阿姨死，暮去朝来颜色故。门前冷落鞍马稀，老大嫁作商人妇。商人重利轻别离，前月浮梁买茶去。去来江口守空船，绕船月明江水寒。夜深忽梦少年事，梦啼妆泪红阑干。我闻琵琶已叹息，又闻此语重唧唧。同是天涯沦落人，相逢何必曾相识。我从去年辞帝京，谪居卧病浔阳城。浔阳地僻无音乐，终岁不闻丝竹声。住近湓江地低湿，黄芦苦竹绕宅生。其间旦暮闻何物，杜鹃啼血猿哀鸣。春江花朝秋月夜，往往取酒还独倾。岂无山歌与村笛，呕哑嘲哳难为听。今夜闻君琵琶语，如听仙乐耳暂明。莫辞更坐弹一曲，为君翻作琵琶行。感我此言良久立，却坐促弦弦转急。凄凄不似向前声，满座重闻皆掩泣。座中泣下谁最多?江州司马青衫湿。【注释】〔1〕浔阳江：即流经浔阳境内的长江。索索：形容枫树、 芦荻被秋风吹动的声音。〔2〕回灯：移灯。重：再。〔3〕转轴拔弦：将琵琶上缠绕丝弦的轴，拧动以调音定调 。〔4〕掩抑：掩蔽，遏抑。思：读去声。〔5〕拢：左手手指按弦向里（琵琶的中部）推。 抹：向左拔弦，也称为“弹”。霓裳：即《霓裳羽衣曲》。六玄：大曲名，又叫《乐世》、《绿腰》、《录要》，为歌舞曲。〔6〕大弦：指最粗的弦。小弦：指最细的弦。嘈嘈：沉重 舒长。切切：细促轻幽。〔7〕间关：莺语流滑叫“间关”。幽咽：遏塞不畅状。〔8〕迸：溅射。〔9〕曲终：乐曲结束。拔：奏弹弦乐时所用的拔子。当心 画：用拔子在琵琶的中部划过四弦，是一曲结束时经常用到的右手手法。〔10〕舫：船。〔11〕敛容：严肃矜持而有礼貌的态度。〔12〕虾蟆陵：在长安城东南，曲江附近，是当时有名的游乐地区。〔13〕教坊：唐代官办管领音乐杂技、教练歌舞的机关。〔14〕秋娘：唐时歌舞妓常用的名字。五陵：在长安城外，汉代王个皇帝的陵墓。缠头：用锦帛之类的财物送给歌舞妓女。〔15〕绡：精细轻美的丝织品。〔16〕钿头云篦：镶嵌着花钿的发篦（栉发具）。击节：打拍子。〔17〕颜色故：容貌衰老。〔18〕浮梁：古县名，唐属饶州。在今江西省景德镇市。〔19〕来去：走了以后。〔20〕梦啼妆泪：梦中啼哭，匀过脂粉的脸上带着泪痕。阑干：形容流泪。〔21〕重（读平声）：重新，重又之意。唧唧：叹声。
