1)poetryofmid-TangandlateTangdynasty中晚唐诗歌
2)poetry in late Tang dynasty晚唐诗歌
英文短句/例句
1.Influences of Late-Tang poems on Song Ci幽艳晚香沁词林——论晚唐诗歌对唐宋词的影响
2.Manifestation of Fin de Siecle Sentiment in the Book of Poetry,Nineteen Ancient Rhymes, and the Later Tang Poetry;论“末世情怀”在《诗经》、《古诗十九首》和晚唐诗歌中的表现
3.Formation of the Literary image of "Chanjuan" and its Expression in the Late Tang Dynasty Poetry;“婵娟”文学意象的构成及其在晚唐诗歌创作中的表现
4.On the psychological connotations and cultural origin of the aesthetic tendency of the Late Tang poems;论晚唐诗歌唯美倾向的心理内涵与文化渊源──以许、杜、李、温四家诗为中心
5.A Severe and Desolated Poet with His Chilly Poetry--Changes of Hardship ChantingPeotic Group“峭冷”诗人“清峭”诗——兼论姚合诗歌对中晚唐苦吟诗风的创新
6.Study on a Special Phenomenon-"Setting Out before Dawn" and "Setting Out after Dusk" Which Exists in Tang Dynasty Poets Journey;Study on Tang Poems about the Phenomenon;唐人行旅中的“早发”“晚发”现象及诗歌研究
7.Leisure-The Deepening of Sadness;长歌当哭,寓悲于闲——晚唐送人赴任诗情感探微
8.The Characteristics of Thoughts and Poetic Styles of Poetry by Poets Yu Fen in Late Tang Dynasty笔写现实 墨洒边塞——晚唐于濆诗歌创作简论
9.Research on the History of the Spread and Acceptance of Du Mu s Poetry during the Late Tang and the Five Dynasties and the Song Dynasty;杜牧诗歌在晚唐五代及两宋时期的传播接受史研究
10.Zheng Gu and His Poetry;“谁识伤心郑都官,苍苍烟雨遍江蓠”——试论晚唐巨擘郑谷及其诗歌
11.XU Xue-yi s Examination of Early Tang s Poetry;许学夷对初唐诗歌中唐诗精神的审视
12.Poem on Dancing in Tang Dynasty: Connections between Poem and Dance;唐代咏舞诗:唐代诗歌与舞蹈的连姻
13.The Aesthetic Transference of Image in Poetry--With Analysis on Versions of Tang Poems;诗歌意象美的传递——以唐诗英译为例看诗歌翻译
14.A Song of Lament of Women ──The Destiny of Women in the Tang Dynasty Reflected in Tang Poetry;女性的悲歌──从唐诗看唐代妇女的命运
15.Zhang Jiuling Poetry and Glorious Age of Tang Poetry Meteorology--On Zhang Jiuling s Influence on Tang Poets;张九龄诗歌与盛唐气象——论张九龄诗歌对盛唐一代诗人的影响
16.Reintrepretation on Tang Dynasty Poetry;对盛唐诗歌的重新解读——读宇文所安的《盛唐诗》
17.His poems are considered to be" A great reform to Tang Poetry".他的诗歌被后人评价为“唐诗之一大变”。
18.Study the Difference of Aesthetic Taste between Poems of Tang and Song by Analysing Their Existing Forms;从诗歌存在形态看唐宋诗的审美异趣
相关短句/例句
poetry in late Tang dynasty晚唐诗歌
3)the poetry in Middle Tang times中唐诗歌
4)late Tang poetry crealion晚唐诗歌创作
5)Monk poets in Mid- and Late- Tang中晚唐诗僧
6)Middle-late Tang poet中晚唐诗人
延伸阅读
晚唐派晚唐诗派标榜学晚唐诗的近代诗派。领袖人物为樊增祥、易顺鼎。他们着重学习晚唐诗人李商隐、温庭筠、韩□，从韩□“香奁体”入手,好作艳体诗,追求对仗工巧，隶事精切，词采富艳,诗风典赡华靡,工整绵丽。樊增祥自称“性耽绮语”,“学诗自香奁体入”。学诗之初,“积诗千数百首，大半小仓（袁枚）、瓯北（赵翼）体，其余皆香奁体也”。又说“三十以前,颇嗜温、李,下逮西□，即《疑雨集》、《香草笺》，亦所不薄”（《樊山全集》续集第26卷）。易顺鼎诗以“近于温李者居多”，“以学晚唐者为最佳”。近体诗“惟以裁对鲜新工整为主”，晚年“益纵情于舞榭歌场”，诗“多冶游之作”（陈衍《石遗室诗话》）。属于这一派的主要诗人还有三多、李希圣、曹元忠等。三多，字六桥，又署鹿樵、可园。满人。曾官绥远、奉天都统，杭州、库伦驻防大臣。为樊增祥诗弟子，工于隶事，极似樊。所不同者，诗多边地莽苍之气，善以满蒙方言入诗。有《可园诗钞》。李希圣(1864～1905)，字亦元。湖南湘乡人。光绪十八年(1892)进士，官刑部主事。诗大多为七律，专学李商隐。有《雁影斋诗存》。曹元忠，字君直。江苏吴县人。光绪二十年(1894)举人，曾官内阁中书。诗亦专学李商隐，其工妙不下李希圣诗，有《北游小草》。
