1)Shi Pin《诗品》
1.Review of the academic achievement in "study on Zhong Rong and Shi Pin" in Journal of Xuchang University;《许昌学院学报》“钟嵘与《诗品》研究”学术成果述评
2.Bao Zhao s Comments and Further Explanation of Former Comments at Zhong Rong s Shi Pin;钟嵘《诗品》鲍照条疏证
3."Yuan" in Zhong Rong s Shi Pin——Taking the poems of the Han Dynasty that he criticized as an example;钟嵘《诗品》中的“怨”——以其所评之汉诗为例
英文短句/例句
1.The Elucidation of the Essence of the Poems and the Top Bourn of Beauty of the Poems in Shipin;《诗品》对诗之本质及诗美境界的阐释
2.The arrangement of order of poets of the same grade according to their poems quality in Zhong Rong s Shipin;钟嵘《诗品》关于同品诗人的优劣诠次
3.Differentiating and Analyzing the Knotty Problems in "Poetic Character"--Differentiating and analyzing the comments on the poens of the poets from Henan(Ⅱ);《诗品》疑难问题辨说——豫籍诗人诗评系列辨释(中)
4.Discussion on the knotty problems in Shi Pin(Ⅰ)--Discussion on the comments on the poems of poets from Henan;《诗品》疑难问题辨说(上)——豫籍诗人诗评系列辨释
5.John Keat s Poetry from the perspective of Twenty-Four Poetic Qualities;《诗品》视野下的济慈诗歌创作——兼论西方济慈诗评
6.The Ecological Poetics in "Wen Xin Diao Long";试论《文心雕龙·明诗》与《诗品》的生态诗学观
7.An analysis of "Lu Ji poems’ not having sufficient Qi" commented on in Shi Pin;《诗品》陆机诗“气少于公干”疏证
8."Yuan" in Zhong Rong s Shi Pin--Taking the poems of the Han Dynasty that he criticized as an example;钟嵘《诗品》中的“怨”——以其所评之汉诗为例
9.On the Evaluation of Tao Qian s Poetry from “Appreciation and Judgment of Poetry”;被“误读”的知音——浅析《诗品》对陶诗的评价
10.On the aesthetic ideology of Zhong Rong s Shipin in poetic theory(Ⅱ);论钟嵘《诗品》的诗论美学思想(二)
11.On Zhong Rong Shipin s aesthetic ideology in poetic theory (1);论钟嵘《诗品》的诗论美学思想(一)
12.The Spread of Shi Ping and It s Influence on Ancient Chinese Shi Hua;《诗品》的流传与诗话的创体和演进
13.The art or work of a poet.诗歌艺术或诗歌作品
14.a satirical play, poem, sketch, etc讽刺剧、 诗、 小品等.
15.Moral Quality、Poetic Quality、Artistic Quality---On Wang Mian s Moral Quality and Poetic and Artistic Creation;人品、诗品、画品——论王冕的人品及其诗画创作
16.Personality and Poem Character--Comment on the Poems of Yu Shi-nan and Xu Jing-zong;人品与诗品——虞世南、许敬宗诗论
17.Analysis on Poem Features by LI Ye and XUE Tao in Light of Taste in Their Presenting Poems;从酬赠诗与诗品论李冶薛涛诗歌之优劣
18.The Speculative Thinking of Canglang Recitiation of Poem and Its Poem Criticism;《沧浪诗话》思辨的方式及其诗评品格
相关短句/例句
Shipin《诗品》
1.The arrangement of order of poets of the same grade according to their poems quality in Zhong Rong s Shipin;钟嵘《诗品》关于同品诗人的优劣诠次
2.The Elucidation of the Essence of the Poems and the Top Bourn of Beauty of the Poems in Shipin;《诗品》对诗之本质及诗美境界的阐释
3.The Acceptance to Zhuangzi in Shipin;《诗品》对《庄子》的接受
3)Shipin诗品
1.Zhixun and Zhizhi——An example of comment on Shipin on the basis of comparing different versions;“直寻”与“直置”——钟嵘《诗品》校议一则
2.Discussion on qi in Zhong Rong s Shipin;试论钟嵘《诗品》中的“气”论美学思想
3.Fengren in Zhong Rong s Shipin dose not mean Fengren Style;《诗品》“风人”非“风人体”
4)Grades of Poetry诗品
1.On the Aesthetic Standard of Purity in Grades of Poetry;浅探《诗品》“清”的审美标准
2.A Rough Comparison of the Literary Conceptions of "The Preface to Mao s Poems " and "The Preface to Grades of Poetry";《毛诗序》和《诗品序》文学观念的浅略比较
5)Shi Pin诗品
1.A stylistic comparison between Shi Pin and Hua Pin;《诗品》与《画品》的文体学比较
2.Comment on the Form and Develop of Imagery Criticism by Zhong Rong Shi Pin;从钟嵘《诗品》论象喻批评方法的形成和发展
6)quality of poetry诗品
1.The quality of poetry originates from the character of the poet, and the poetry rule is nothing but the magical conception.诗以有意境而自成高格 ,能写真景物、真感情者谓之有境界 ;诗是心灵之声 ,有意境则自有诗美 ;诗 ,高度凝练才有韵律之美 ,诗品源于人品 ;诗道唯在妙
延伸阅读
《诗品》《诗品》中国古代诗歌评论著作。南朝梁钟嵘著。书中品评了自汉至梁共122名作家的五言诗的上下优劣，故称《诗品》。全书分为上中下三卷，并仿照班固《汉书·古今人表》和刘歆《七略》的品论方法，把这些诗人分入上中下三品。上品包括李陵、班姬等11人及无名氏古诗；中品包括秦嘉、徐淑等39人；下品包括班固、郦炎等70多人。每品又依时代先后次序排列，一一予以品评。钟嵘在《诗品》中除了品评之外，还提出了关于诗歌创作的重要理论。①有感于当时永明体诗风的泛滥，批评了诗歌创作中的堆砌典故和宫商声病，提出诗歌“口吻调利”、自然和谐的标准，为诗歌的健康发展端正了方向。②有感于当时诗歌批评中重四言而轻五言的儒学正统思想的影响，指出四言诗在当时已“每苦文繁而意少，故世罕习焉”，而五言诗则“居文词之要，是众作之有滋味者也”，“指事造形，穷情写物，最为详切”。从理论上为五言诗的发展开辟了道路。③提出诗的滋味说，认为只有“使味之者无极，闻之者动心”，“使人味之，亹亹不倦”的诗，才是好诗；好诗应该“文已尽而意有余”。这种诗味说对后世诗文创作有深远影响。④提出诗歌创作的“真美”原则，即诗歌创作要有真情实感，反对虚假的无病呻吟，同时指出“真美”与艺术表现上的自然的密切联系：“自然英旨，罕值其人。”钟嵘在《诗品》中对作家作品的风格渊源进行了历史的分析，提出了较为系统的看法。但是由于他不重视生活阅历对作家风格的决定性影响，不曾周密地考虑作家风格的多样性和复杂性，而仅仅着眼于某一方面的相似与否，因而也就不可避免地犯了主观、牵强的毛病。此外，钟嵘在《诗品》中对作家的分品也有不妥之处，如把陶渊明、鲍照列入中品，对作家的优劣品评未能完全摆脱形式主义倾向，引起后世不少非议。这些都是《诗品》的历史局限性。钟嵘的《诗品》，标志着中国古代文艺理论与文学批评发展达到了新的阶段，在中国文学批评史上占有极其重要的地位。对后代的诗话有深刻的影响。现存版本有《津逮秘书》本和《学津讨原》本。另有近人许文雨的《诗品讲疏》、陈延杰的《诗品注》等。
