1)Ye Xie叶燮
1.Ye Xie s query about the regulations of garden imitating painting;叶燮对“园林模仿绘画”成规的质疑
2.Fresh Research of Ye Xie s Point of "Poem is the Reflection of Heart"——Discussion of Ancients Arts and Ideality of Their Lives;叶燮“诗是心声”初探——兼论古人的艺术与人生理想
3.Poetry rhetoric: the creation of "Nimble Method"——Ye Xie s `Original Poetry·Internal Writings and its implication;诗歌修辞:“活法”的创造——叶燮《原诗·内篇》修辞论及意义
英文短句/例句
1.Commentary of the Study on YE Xie from 2000 to 2008 (Part Ⅰ)2000-2008年叶燮研究述评(上)
2.Ye Xie s query about the regulations of garden imitating painting;叶燮对“园林模仿绘画”成规的质疑
3.Change but Not Let the Pure Flavours Slip --On Ye Xie′s What is the Poems;变而不失其正——叶燮《原诗》论纲
4.On Shihua of Ye Xie, Xue Xue and Shen Deqian;略评叶燮、薛雪、沈德潜师生三人的诗话
5.The Achievement,Gain & Lost and orientation of the Research on Ye Xie in the New Centnry新世纪初叶燮研究的成就、得失与走向
6.THEORETICAL ANALYSIS ABOUT THE CONTROVERSY OF TANG AND SONG POETRY IN ON POEMS BY YE XIE叶燮《原诗》对唐宋诗之争的理论解析
7.YE Xie s Dialectical Poetic Position of Rationalism Centered on "Change";叶燮以“变”为核心的辩证的理性主义诗学观
8.Fresh Research of Ye Xie s Point of "Poem is the Reflection of Heart"--Discussion of Ancients Arts and Ideality of Their Lives;叶燮“诗是心声”初探——兼论古人的艺术与人生理想
9.Shen Deqian s Inheritance and Development of the Poetic Theory of Ye Xie;沈德潜对叶燮诗学批评思想的继承与发展
10.On Criticism about Poems in History on Original Poem Written by Ye Xie;叶燮《原诗》批评论中对历代诗学诗歌的批评
11.New Understanding of Ye Xie s Rational Aesthetics;情依于理 情理交至——叶燮理性美学观新解
12."Times Determine ‘Zheng’ and ‘Bian’":On Ye Xie’s Original Interpretation of "Fengya Zhengbian";“正变系乎时”——论叶燮对汉儒“风雅正变”的原创性阐释
13.Two Kinds of Esthetics collision--compares esthetics thoughts between Quintus Horatius Flaccus "Poem Skill" and Ye Xie "Original Poem";两种美学追寻的碰撞——试比较贺拉斯《诗艺》与叶燮《原诗》的美学思想
14.Poetry rhetoric: the creation of "Nimble Method"--Ye Xie s `Original Poetry·Internal Writings and its implication;诗歌修辞:“活法”的创造——叶燮《原诗·内篇》修辞论及意义
15.Ye Xie, a scholar lived in the beginning of Qing dynasty, animadverted on the popular notion.生活于清初的叶燮对这一流行观念以及与此相关的造园时弊,进行了理性地批判。
16.He was on good terms with Jin Nong and Zheng Xie and was accomplished at painting pines, bamboos, plum blossoms and orchids.他和金农、郑燮交谊甚笃，善画松、竹、梅、兰，
17.Zheng Xie, commonly known as Zheng Banqiao, was a native of Xinghua, Jiangsu Province.郑燮(1693-1765)，号板桥，江苏兴化人。
18.The Beautiful Poetic Flower Cultivated by Hybridity--On Du Yunxie s Poems;用杂交培育的美丽诗花——论杜运燮的诗
相关短句/例句
Yexie叶燮
1.Yexie was an important theorist in the history of literary criticism and esthetics.叶燮是中国文学批评史和美学史上一位重要的人物，许多学者都对他进行了深入地研究。
2.Yexie was a literary theorist of China in the first few years of the Qing Dynasty in the Kangxi period.叶燮是我国清朝康熙初年著名的文学理论家。
3)studies on YE Xie叶燮研究
1.At the beginning of the new century,studies on YE Xie have achieved greater considerable progress on text content,research methods and research perspectives than that of last century.新世纪初叶燮研究在文本内容、研究方法和治学视角等方面都取得了重大进展,较上个世纪取得了长足的进步。
4)Xie燮
5)Studies on the Origin of Poetry by Ye Xie叶燮《原诗》研究
6)A Study of Ye Xie s Poetry and Prose叶燮诗文研究
延伸阅读
叶燮叶燮（1627～1703）中国清代诗论家。字星期，号已畦。嘉兴(今属浙江)人。晚年定居江苏吴江横山，世称横山先生。康熙九年(1670)进士，选为宝应知县。不久落职，后纵游海内名胜，寓佛寺中诵经撰述。主要著作为诗论专著《原诗》，此外尚有诗文集《已畦集》和讲星土之学的《江南星野辨》。《原诗》分内外两篇，每篇分上下两卷，共4卷。内篇为诗歌原理，其中上卷论诗的发展，下卷论诗的创作。外篇为诗歌批评，主要论工拙美恶。关于诗的发展，叶燮主张文学的进化；关于诗的创作，提出能以“在我”之“才、胆、识、力”，反映“在物”之“理、事、情”。他继承宋人吕本中的活法论，以死法为“定位”，以活法为“虚名”。关于诗的批评，他重质轻文，强调“诗之才调、诗之胸怀、诗之见解”。其诗论具有朴素唯物主义倾向以及辩证法思想。在总结历史经验、帮助正统文学继续延展方面颇多可取见解。《原诗》以理论的创造性和系统性居于清代众多诗论专著之上。叶燮手迹石刻
