1)Chen Zilong陈子龙
1.Chen Zilong s Life Experience and the Expansion of His Personal Networks;陈子龙的生平及其交游圈扩展初探
2.The Collection Jianglijian and the Love between Chen Zilong and Liu Rushi;《江蓠槛》词与陈子龙、柳如是恋情
3.True Emotion is the Uniqueness,Beautiful Writing is Ancient-oriented——Chen Zilong s Scripts of Xiangzhen Pavilion;情以独至为真,文以范古为美——论陈子龙《湘真阁稿》赋
英文短句/例句
1.The Collection Jianglijian and the Love between Chen Zilong and Liu Rushi;《江蓠槛》词与陈子龙、柳如是恋情
2.On the "Genuineness" and "Elegance" of Chen Zi-long s Poetic System;论陈子龙诗学体系中的“真”与“雅”
3.Controversy on the Correctitude and Furor of FengYa and the Analysis of Chen Zilong Resentment and Expostulation Poetry;明清之际的“风雅正变”之争与陈子龙“怨刺”说辨析
4.Literary Society,Literary Sect and Personality: A Restudy of the Polemic between Chen Zilong and Ai Nanying;文社·宗派·性格——艾南英陈子龙之战再检讨
5.Study of Fengya Leitmotiv in Chen Zilong's Poetics from The Compiling of Huangming Anthology从《皇明诗选》的选编看陈子龙诗论中的“风雅之旨”
6.True Emotion is the Uniqueness,Beautiful Writing is Ancient-oriented--Chen Zilong s Scripts of Xiangzhen Pavilion;情以独至为真,文以范古为美——论陈子龙《湘真阁稿》赋
7.On the Death of Chen Zilong and the Intelligentsia s Attitude Towards Death in the Late Ming Dynasty;“男儿捐生苦不早”——论陈子龙之死兼谈明末士人对待死亡的心态
8.Integrating of the Special Feelings and Classical Elegance;“独至”之情与“古雅”法度的结合——谈陈子龙对于前后七子和公安派的变异与反驳
9.In the late Ming Dynasty, there was a tremendous change both in poetry and social circumstances.诗学发展到陈子龙所处的时代,无论是文学内部,还是当时的社会形势都发生了巨大的变化。
10.The Exhibition of Work s Meaning and the Concealment of Writer s Intent--An Analysis of Being Comprehended and Misunderstood of Chen Zilong s Ci Dianjiangchun- Thoughts on Spring Rains and Winds Due to the Differences in Its Editions;作品意义的展现与作家意图的遮蔽——以陈子龙《点绛唇·春日风雨有感》为例
11.The sword of Chen Ajin? I saw his exhibition in April last year, but that is all the modern model of Long Quan.陈阿金的剑?我在去年四月份看过其展览,不过也是现代龙泉的样子货而已。
12.This holy image of the Dragon King came down to me from Guru Chen.此龙王圣像乃陈上师留传下来给我的。
13.On the Sport of Jiaodi in Tang Dynasty;伐鼓鱼龙杂,撞钟角抵陈——唐代角抵考
14."The variant of Longshu art field" and the creation of CHEN Yuan-guang s poems;“龙朔文场变体”与陈元光的诗歌创作
15.This tourist, Miss Chen said that it tastes a little like dried longan. It's sweet like dried longan not fresh longan.游客陈小姐:它有一点龙眼乾的甜味。是龙眼乾,不是生的龙眼。
16.Like Begets like龙生龙子,虎生豹儿
17.Chen Jing, Chen Longcan, Wei Qinguang, Deng Yaping, Qiao Hong, Lu Lin, Wang Tao, Kong Linghui and Liu Guoliang in table tennis.乒乓球:陈静、陈龙灿、韦晴光、邓亚萍、乔红、吕林、王涛、孔令辉、刘国梁;
18.Ancestor、God and National Hero: Chen Wenlong Worship and the Cultural Practices of Yuhu Chen's Family in Putian祖先·神明·民族英雄——陈文龙崇拜与莆田玉湖陈氏家族的文化实践
相关短句/例句
CHEN Zi-long陈子龙
1.On the "Genuineness" and "Elegance" of Chen Zi-long s Poetic System;论陈子龙诗学体系中的“真”与“雅”
2.CHEN Zi-long and the Meaning of Zhuang and Sao in Ming and Qing Dynasty;陈子龙和明清之际“庄骚”合称
3)Chen Zilong's Ci陈子龙词
4)A Study on Chen Zilong陈子龙研究
5)The Chronicle Biography of Chen Zi-long陈子龙年谱
6)Researches in Chen Zilong s Ci陈子龙词研究
延伸阅读
陈子龙陈子龙(1608~1647)中国明代文学家。字卧子,号轶符,晚年又号大樽。松江华亭(今上海市松江县)人。崇祯初与同邑夏允彝等组织几社,与复社相呼应。崇祯十年(1637)中进士。在国事日非的情况下,他颇注意经世致用之学。清军破南京后,他起兵抗清,失败后又结太湖兵以图后举,事泄,在苏州被捕,解送途中,乘隙投水自尽。陈子龙重视诗歌忧时托志的社会作用,他的诗作大部分能够面对现实,有感而发。其诗歌长于状物,妙于托意,能够将诗情巧妙地熔铸在抑扬跌宕的诗章里。在文学主张方面,他赞成前后七子,反对公安、竟陵两派。他在艺术上,取材较前后七子广阔,所作诗文立意深远,寓寄含蓄。他的词坚持“诗庄词媚”的传统观念,少有大声镗塔之作。著有《陈忠裕公全集》。