1)image of Mozi墨子形象
2)Image of Black Bamboo墨竹形象
3)Confucius image孔子形象
1.The thesis analyzes the Confucius images of The Analects of Confucius,Zuozhuan and Guoyu which are earlier books to register Confucius,analyzed the characters of Confucius images of the three books,and summarize the general character of hypostasis of Confucius of the three books.本文对先秦时期较早记录了孔子事迹的三部典籍———《论语》、《左传》、《国语》中的孔子形象进行了梳理和剖析,探讨了这三部典籍中孔子形象的各自特点,并总结出其在孔子形象塑造上的共同特点即原质性,以期为人们更好地了解历史上真实的孔子及其思想提供一个前提和基础。
2.By the comparing research between the Confucius image created in the Record of the Historian and the images in the documents before it, the paper is in order to find the unique feature of the Confucius images created by Sima qian and its reasons, and to explain the artistic laws of the figure creating in the Record of the Historian.本文旨在通过对《史记》之前文献中塑造的孔子形象与《史记》中司马迁塑造的孔子形象进行比较研究,以探究司马迁笔下孔子形象的独特性及其成因,并进而阐释司马迁塑造历史人物的艺术规律。
英文短句/例句
1.On the Image of Confucius in Mencius and Zhuangtze;论《孟子》、《庄子》中的孔子形象
2.The Changes of the Confucian Image in the Three Classic Works Written in the Period of Warring States;战国三部诸子著作中孔子形象的变异
3.On the Three Dimensional Perspective of the Image of Confucius in Ancient Chinese Culture;中国古代文化中孔子形象的三维透视
4.The Figune of kongzhi in the Pre-Qin Book Influnce to the Later age;先秦典籍中的孔子形象对后世的影响
5.On the Image of Confucius in Lin Yutang’s Works--Confucius Saw Nancy and the Wisdom of Confucius as the Center;论林语堂笔下的孔子形象——以《子见南子》和《孔子的智慧》为中心
6.Zhuangcius Philosophy Perceived from the Two Confucius Figures in Zhuangzi;从《庄子·内七篇》中两个不同的孔子形象谈庄子之思想
7.The Influence of the Image of Confucius in Historical Prose of Pre-Qin Period and Zhuzi's Prose upon Later Ages先秦历史散文和诸子散文著作中的孔子形象对后世的影响
8.A Civilized Saint against Civilization:Image of Confucius in U.S.Media in the Pre-Chinese Exclusion Period“反文明”的文明圣人:排华酝酿时期美国媒体的孔子形象
9.Confucius as a Prophet-Sage in Dong Zhongshu’s Study on ChunQiu;董仲舒《春秋》学中的孔子先知圣人形象
10.Elements in Building Images of College Teachers in Confucians’ Educational Thoughts孔子教育思想与当代高校教师形象塑造三要素
11.Cultural Communication and the Deterritorialization of China s Image;从“中国年”到“孔子学院”——文化传播与国家形象的柔性塑造
12.Eulogizing Benevolence, Wisdom and Courage--on the influence of the perspective of Confucius concept of moral integrity in the chivalric image as embodied in the figures of Mole and others;仁、智、勇之礼赞——从磨勒等豪侠形象的塑造看孔子人格观的影响
13.Researching the Image of the Educationalist Confucius from “Accompanying Confucius” --Also on Regrets about the Selection of Articles in the New Textbook for Senior Middle School;从《侍坐》看孔子的教育家形象——兼及高中语文新教材的选篇缺憾
14.On Image of the Confucianism Disciples Modeled in the Classical Fictions依经傍史,发挥演绎——中国古典小说孔门弟子形象塑造摭谈
15.synthesizing aperture电视显象管电子束孔
16.This was very much like the attitude of Confucius.这很象孔子的态度。
17.The quadratic aperture of the cat's-eye diaphragm is imaged too large.猫眼光栏的方形光孔成象太大。
18.On the Image of Lettie in The White Peacock;“精神型女人”的雏形——试论《白孔雀》中的莱蒂形象
相关短句/例句
Image of Black Bamboo墨竹形象
3)Confucius image孔子形象
1.The thesis analyzes the Confucius images of The Analects of Confucius,Zuozhuan and Guoyu which are earlier books to register Confucius,analyzed the characters of Confucius images of the three books,and summarize the general character of hypostasis of Confucius of the three books.本文对先秦时期较早记录了孔子事迹的三部典籍———《论语》、《左传》、《国语》中的孔子形象进行了梳理和剖析,探讨了这三部典籍中孔子形象的各自特点,并总结出其在孔子形象塑造上的共同特点即原质性,以期为人们更好地了解历史上真实的孔子及其思想提供一个前提和基础。
2.By the comparing research between the Confucius image created in the Record of the Historian and the images in the documents before it, the paper is in order to find the unique feature of the Confucius images created by Sima qian and its reasons, and to explain the artistic laws of the figure creating in the Record of the Historian.本文旨在通过对《史记》之前文献中塑造的孔子形象与《史记》中司马迁塑造的孔子形象进行比较研究,以探究司马迁笔下孔子形象的独特性及其成因,并进而阐释司马迁塑造历史人物的艺术规律。
4)scholar's image士子形象
5)the image of Confucius孔子形象
1.On the one hand,the image of Confucius in Warring States Period was truthfully presented to some degree in different philosophers books,on the other hand,the changes of his image started to stand out.战国时期的孔子形象,在诸子典籍中一方面得到了某种程度的真实表现:另一方面,也是更为突出的方面则是孔子的形象开始产生变形。
2.The author, after making a serious study of the image of Confucius in the two Chinese classics-Mencius and Zhangtze and with reference to the historical Confucian figure, has come to the conclusion that Mencius has sanctified Confucius while Zhuangtze has allegorized him.笔者从接受学角度认真考察了《孟子》、《庄子》中的孔子形象,并与历史上的孔子加以对比,认为《孟子》对孔子进行了“圣化”,《庄子》则进行了“寓言化”,尽管两者中的孔子都有一定的历史真实性,但他们那种不拘泥于历史、主动拿来、为我所用的态度却是一致的,在治学方法上对后代亦有较大影响,可谓异曲同工。
3.The author holds that this influence can be revealed in three aspects-providing the source material for shaping the image of Confucius for later generations,laying the foundation of apotheosis of Confucius in people\'s hearts,and giving forepart examples of changing the image of Confucius.先秦历史散文和诸子散文著作中不仅保存了孔子形象最初的真实写照,也保存了孔子形象最早的变异,二者都对后世的孔子形象塑造产生了一定的影响。
6)prodigal image浪子形象
1.Tang Dynasty s novelists have portrayed the abundant prodigal image in its novel creation,and these prodigal images may divide into two kinds: One kind of the prodigals is who indulge in dallying with prostitutes;Another is who idle around all day.唐代的文人士子们在其小说创造中塑造了丰富的浪子形象,这些浪子形象可以分为两类:一是狎妓的浪子,另一类就是游手好闲的浪子。
延伸阅读
墨竹1.墨画的竹子。相传始于唐吴道子。一说,始于五代郭崇韬之妻李氏。 2.竹的一种。