1)Qiuci龟兹
1.Kumārajīva and Dirersity of Qiuci Buddhism Grotto Art;鸠摩罗什与龟兹佛教石窟艺术多样化表现
2.Qiuci,as a region of vast territory and long history,has a significant culture.龟兹幅员辽阔、历史悠久,蕴涵着丰富的文化宝藏,如今其文化重镇库车承袭古龟兹乐舞遗风,民歌旋律优美,体现了诗乐舞“三位一体”的存在状态。
英文短句/例句
1.the "Qiuci Yue", the most popular dance in the Tang Dynasty, was from the ancient Qiuci Kingdom in today's Kuqa of the Xinjiang Uygur autonomous Region;《龟兹乐》来自古龟兹国，在今新疆库车一带，是唐代最盛行的舞种之一。
2."Bamboo from the southern hills was used to make this pipe. And its music, that was introduced from Persia first of all,"南山截竹为觱篥, 此乐本自龟兹出。
3.These Figs provide the viewers a glimpse of the Qiuci music and dance that had once enchanted the entire county.使我们得以重睹当年风靡中原的龟兹乐舞风采。
4.The Chinese Buddhist Texts in Otani Collection and Chinese-style Murals in Kucha;日本大谷探险队所获汉文佛典与龟兹汉风壁画
5.Kumārajīva and Dirersity of Qiuci Buddhism Grotto Art;鸠摩罗什与龟兹佛教石窟艺术多样化表现
6.Thoughts of Legislation in Protection of Intangible Culture Heritage of Ancient Qiuci in Xinjiang;新疆古龟兹非物质文化遗产保护的立法思路
7.A Preliminary Study of Kuci Buddhism during the Early Period of the Tang Dynasty Basedon the Book Travelling Notes to the West by Yuanchwang;玄奘视野中的龟兹佛国——《大唐西域记·屈支国》析读
8.A Discussion on the Image of Buddha Dipamkara in Vyakarana and Related Issues;龟兹燃灯佛授记造像及相关问题的探讨
9.The Blending of the Cultures of Qiuci and Central China in Jin and Tang Dynasty in the Western Region;论晋唐时期西域龟兹文化与中原文化的交融
10.An Exploration of the Scale of Quzi during the Tang Dynasty;龟兹乐调理论探析——唐代二十八调理论体系研究
11.The Intercourse of Buddhist Art between Shule and Qiuci in the Light of Archaeological Discovery从考古发现看疏勒与龟兹佛教艺术之交流
12.The Kezir Grottoes of the ancient Qiuci Grottoes in Xinjiang Uygur autonomous Region are the biggest in scale and most intact in preservation.新疆古龟兹石窟群中规模最大、保存较好的克孜尔石窟，
13.At the same time, the central government stationed garrisons in Qiuci, Yutian, Shule and Suiye (or Suyab, formerly Yanqi), which were known as the "four garrison commands of Anxi.同时，还在龟兹、于阗、疏勒、碎叶（一度是焉耆）设军事建制，史称“安西四镇”。
14.The Historical Function and Modern Value of Religion and Culture--Decoding the Painting in Qiuci Caves;宗教文化的历史功能和现代价值——龟兹石窟壁画意义解读
15.A Comparative Study of The Lay-Out of Sculptures in The Central Pillat Grotto and A Huge Image Grotto to The Brush Work of Mural at The Kucha Grottoes;龟兹石窟中心柱窟和大像窟塑像布局与壁画风格类型的比较
16.Cultural Interpretation of the Folk Songs of Kuche City;库车民歌的文化学阐释——兼论龟兹歌舞与多浪歌舞的差异互补
17.A Discussion on LI Bai s “Exile in Tiaozhi”;李白先世“谪居条支”别探——条支即龟兹,兼及月氏、屈支、库车、金陵等地名
18.On the investigation of Donor's portrait in Kucha关于龟兹供养人像的考察(下)——以克孜尔供养人像为中心展开
相关短句/例句
Kuci龟兹
1.A Preliminary Study of Kuci Buddhism during the Early Period of the Tang Dynasty Basedon the Book Travelling Notes to the West by Yuanchwang;玄奘视野中的龟兹佛国——《大唐西域记·屈支国》析读
3)Kucha龟兹
1.On the Issue of the Cultural Transformation of Kucha──from Tokharian to Turkish and from Buddhism to Islam;唐宋之际龟兹地区的文化转型问题
2.Ancient Kucha has been traditionally considered as a Hinayana country .龟兹传统上是以小乘佛教占优的国家 ,但是在公元 4世纪左右 ,其佛教状况却极其复杂。
4)Kucha art龟兹艺术
5)Qiuci in the western region西域龟兹
6)Qiuci Buddhism龟兹佛教
延伸阅读
龟兹龟兹西域古国名，中国唐代安西四镇之一。又称丘慈、邱兹、丘兹。古代居民属印欧种。回鹘人到来后，人种和语言均逐渐回鹘化，龟兹国以库车绿洲为中心，最盛时辖境相当于今新疆轮台、库车、沙雅、拜城、阿克苏、新和6县市。都延城，唐代称伊逻卢城(今新疆库车东郊皮朗古城)。西汉时隶属于匈奴。汉昭帝元凤四年(前77)，龟兹服从于汉。神爵二年(前60)，汉廷在龟兹东乌垒城设西域都护。王莽时重又隶属于匈奴。东汉明帝永平十六年(公元73)，汉使班超经营南道，北征匈奴，西域各国重与汉通。和帝永元三年(公元91)，龟兹降汉。汉以班超为都护，居龟兹它乾城。但因与中原交通被阻，西域都护撤回。终汉之世，龟兹叛服不常。魏晋时，龟兹遣使入贡。其后，先后顺属前凉、前秦、北凉。又向北魏遣使朝献。5世纪中叶，龟兹一度为柔然部控制。5世纪末，曾隶属于西方强国哒。此后，龟兹曾先后遣使于北魏、北周和南朝的梁。隋代时，龟兹臣属于北方西突厥汗国。炀帝大业十一年（615），曾遣使入朝。唐初，龟兹与唐有交往，但仍附属于突厥。贞观十八年(644)，唐军攻焉耆，龟兹与焉耆连兵相拒。二十一年，唐兵进击龟兹。翌年擒其国王、权相，唐移安西都护府于龟兹。显庆三年(658）唐将安西都护府迁至龟兹都城，下设龟兹、于阗、焉耆、疏勒四镇，龟兹开始成为唐朝统治西域的中心。由于吐蕃势力进入西域，唐被迫多次放弃龟兹等四镇。直到武则天长寿元年（692），才恢复四镇，此后约百年间，安西都护府得以稳定在龟兹，故龟兹王城又称作安西。在德宗贞元六年(790)前后为吐蕃攻占。龟兹镇遗址840年后，龟兹进入西州回鹘势力范围，人种也逐渐回鹘化。随着黑汗王朝(操突厥语的民族在今新疆、中亚建立的封建王朝)的强盛，大概在11世纪末，龟兹脱离西州回鹘，归附喀什噶尔汗，皈依伊斯兰教。从此，龟兹不再是一个独立或半独立的政权。乾隆二十三年(1758)归入清版图，定名库车。龟兹地区气候温热，盛产麻、麦、葡萄、梨、桃等；出良马、封牛；山中有矿，故黄金、铜、铁等冶铸业闻名西域；又因处在丝绸之路干线上，中转贸易发达，龟兹锦尤负盛名。在伊斯兰化以前，一直以佛教为国教，是西域小乘佛教的中心。龟兹乐从前秦吕光西征时传入河西，再入中原。隋乐有西国龟兹、齐朝龟兹、上龟兹三部。入唐后，龟兹乐又编为十部乐之一。
