1)Chinese classical aesthetics中国古典美学
1.The Modern Interpretation of Chinese Classical Aesthetics Basical Charactics;中国古典美学基本特征的现代阐释
2.Its deep influence Chinese classical aesthetics is shown in the system of Chinese classical aesthetics,the way of expression,the way of perception and so on.以"道"为中心范畴的老子哲学对中国古典美学的影响之深,表现在中国古典美学的体系、表达方式、感知方式等几个方面,同时美学重要的范畴也多源于老子哲学。
3.The broad and profound Chinese classical aesthetics has formed its unique characters and a series of topics and categories of distinctive national features.中国古典美学博大精深,在漫长的发展过程中形成了自己独立的个性,也形成了一系列具有民族特色的独特的美学命题和范畴。
英文短句/例句
1.On the Aesthetical Implicature of"Beauty"in Classical Chinese Aesthetics;论中国古典美学中“美人”的审美意蕴
2.That appreciation of the beauty of "gas" realizes;“气”之审美视域——中国古典美学范畴研究
3.Poetic Intuition--Study on the intuition in Chinese traditional aesthetics;诗性直觉——论中国古典美学中的直觉
4.The Concept of "the Combination of Nature and Man" and Chinese Classical Aesthetic Thought;“天人合一”观念与中国古典美学思想
5."Qiyun" and Poetic Thinking of Chinese Classical Aesthetics;“气韵”与中国古典美学的诗性思维
6.Grade Connotation of Dao Chinese Classic Aesthetics;试论中国古典美学范畴“道”的内涵层次
7.Clarification of Existence: Humanistic Meaning of Classic Chinese Aesthetics;存在的澄明:中国古典美学的人文意蕴
8.On "逸"in Chinese Classic Aesthetics and its Aesthetic Traits;论中国古典美学史上的“逸”及其美学特征
9.The Status of Confucian Aesthetics in the History of Chinese Classical Aesthetics儒家美学在中国古典美学发展史上的地位
10.Spirit of Traditional Chinese University and Spirit of Classical Chinese Aesthetics;中国传统大学精神与中国古典美学精神
11.The Meaning of Guan as Chinese Classical Aesthetic Category;观:作为中国古典美学审美范畴的意义存在
12.Thoughts on Chinese Classical Aesthetics from the Viewpoint of Linguistic Philosophy;从语言哲学角度对中国古典美学的思考
13.Analyzing the Relationship of the Wording,the Meaning and the Image in Heart of Darkness in Light of Classical Chinese Aesthetics藉中国古典美学试析《黑暗之心》中言、意、象的关系
14.The Aesthetic Frame about "the Distinction between Words and their Meaning" in Chinese Classical Poetics;中国古典诗学“言意之辨”的美学生成
15.Aesthetics Translation Theories in the Ancient Chinese Poetry Translation;中国古典诗歌翻译中的美学翻译理论
16.The Status of Romantic Charm in Chinese Classical Art Aesthetics;神韵在中国古典艺术美学中的地位(2)
17.The Reproduction of "Aesthetic Equivalence" in the Translation of Classical Chinese Poetry中国古典诗歌翻译中“美学对等”的再现
18.On the Aesthetic Characteristics and Basic Training of China s Classic Dance;谈中国古典舞的美学特征与基础训练
相关短句/例句
classical Chinese aesthetics中国古典美学
1.That coincides with the spirit of classical Chinese aesthetics.中国古代大学精神与中国古典美学精神是统一的,以异化的西方工具理性主义和实用主义为基础理念的中国现代大学,消减了中国传统大学精神,要复兴它,必须首先从美育入手,重建中国古典美学精神。
2.By applying some theories of classical Chinese aesthetics, this article attempts to make an analysis of the relationship of the wording(言), the meaning(意)and the image(象), which form the artistic world of the novel Heart of Darkness.以中国古典美学的相关理论剖析《黑暗之心》文本中"言"、"意"、"象"的关系。
3)The aesthetics of Chinese classic poetry中国古典诗歌美学
4)Chinese classical aesmstic thought中国古典美学思想
5)Chinese Classics中国古典学
6)German Classical Aesthetics德国古典美学
1.The Exploration and Englightment on Man and Nature of German Classical Aesthetics;德国古典美学关于“人与自然”的探索及启示
2.The theory of Aesthetic Liberation in German classical aesthetics has two characteristics: first, it is a logic result on the basis of the postulated rational essence in human being; second, its intention is not to examine human being s deficience, but to disdain and discard human being s external predicament.德国古典美学审美解放的理论有两个特点 :一 ,它是基于对人的理性本质公设的逻辑结果 ;二 ,它在意向结构上不是对人本身欠缺的反省 ,而是对外在于人的困境的鄙弃。
延伸阅读
古典与新古典资本流动动因论古典与新古典资本流动动因论 古典与新古典资本流动动因论古典资本流动理论认为国际资本流动的主要原因在于各国资本要素的价格(即利率)存在着差异该理论假设各国的商品和生产要素市场是完全竞争市场，资本要素的国际流动没有任何障碍.有充分的流动性;同时.各国资本要素察赋的存量或相对供给量不尽相同。在这种情况下，如果A国资本比B国更为稀缺，则A国资本要素的价格即长期利率必定高于B国，因此，B国的资本必将为A国的高利率所吸引而流向后者。这种流动将持续到两国的利率水平相等时为止。新古典资本流动理论则认为国际资本流动的主要原因在于各国资本边际生产力的不同及预期报酬率的差异。该理论认为，资本的边际生产力是指每追加一个单位的资本所能带来的产出品价值的增加量。一般来说，在资本丰饶的国家，资本的边际生产力较低，而在资本稀缺的国家，资本的边际生产力较高。资本总是倾向于从边际生产力较低的国家或地区流向边际生产力较高的国家或地区。资本在国际间自由流动之后，将使资本的边际生产力在国际上平均化，从而可以提高世界资源的利用效率，增加全世界生产总量和提高各国的经济效益。
