即兴,improvisation
1)improvisation[英][,impr?vai'zei??n][美][,?mpr?va?'ze??n]即兴
1.Accompaniment improvisation is not unexpected,casual accompaniment expressed literally,but a certain musical accompaniment based on a special theory and the accompanist s understanding to musical works.即兴伴奏是在一定的专业理论基础知识之上,根据伴奏者自身对音乐作品的理解来对歌曲进行即兴的伴奏。
2.The use of "improvisation" can make teachers intensify teaching by making use of teaching methods more skillfully to achieve the ultimate goal in creative learning and applicatio“即兴”作为中国民族民间舞蹈中的一个非常重要的组成部分,同时也是一种最常见、最直接的抒发感情的表现形式。
3.Improvisational Music Therapy refers to the music therapy using improvisational experiences as the main therapeutic experiences of their clients during music therapy sessions.即兴音乐疗法是指在治疗过程中以即兴为主要治疗手段的音乐治疗形式。
英文短句/例句

1.To improvise and deliver extemporaneously.即兴演讲,即兴发言
2.throwaway line [ad lib]即兴台词〔“爆肚”〕
3.Words, music, or actions uttered, performed, or carried out in an extemporaneous manner.即兴表演即兴说出的台词,即兴表演的音乐或即兴完成的动作
4.a singsong round the camp-fire围着营火的即兴歌唱会.
5.The ad lib joke in the play is the best.剧中即兴说的笑话最好。
6.improvisatory skill.即兴诗人创作的技巧
7.he made a few ad-lib remarks.他说了几句即兴的评论。
8.Skilled at or given to unrehearsed speech or performance擅长于或倾向于即兴演说或即兴表演的.
9.Something improvised, especially a dramatic skit.即兴作品即兴而作的东西,尤指戏剧小品
10.Impromptu Piano Accompaniment and Improvisation Playing Capacity-building and Training;钢琴即兴伴奏和即兴弹奏能力培养及训练
11.On the Improvisational Behavior in Instrumental Music Performance器乐表演中的即兴行为探究——谈“即兴演奏”
12.an impromptu speech, news conference, performance,etc即席讲话、 临时召开的记者招待会、 即兴表演
13.A short piece of music, often improvised on a solo instrument, played as an introduction to a larger work.即兴曲一段短音乐,常为乐器即兴独奏,作为大型作品的序曲
14.extemporaneous:Carried out or performed with little or no preparation; impromptu即兴的:毫无准备的或稍作准备就执行或表演的;即兴的.
15.Make use of Organizational improvisation to enhance enterprise ability to cope with economic crisis组织即兴即兴学习:提升企业的经济危机应对能力
16.To invent, compose, recite, or execute something offhand.即席创作;即席表演即兴地发明、创作、背诵或者制成某事物
17.If an actor forget his word , he have to Improvise演员要是忘记台词,那就只好即兴现编
18.It 's time for everyone to get up and do something. this always make me nervous .到了即兴表演的时间了,真伤脑筋。
相关短句/例句

impromptu[英][?m'pr?mptju:][美][?m'prɑmptu]即兴曲
1.This paper introduces the background and characteristics of Schubert s Romanticism,and discusses the music style and features of his impromptus,from singing o.誉有"歌曲之王"美誉的舒伯特是十九世纪最伟大的作曲家之一他的钢琴小品《即兴曲》、开辟了浪漫主义钢琴小品的先河,音乐不以磅礴的气势惊人,而以真挚的诚心与纤细的抒情动人,以非凡的优雅和精致的技巧取胜。
2.Eight piano impromptus are very important in all Schubert’ s piano works.八首即兴曲是舒伯特钢琴创作中较为重要的作品,集中体现了舒伯特独特的创作个性与风格。
3.Impromptu and Moments musicaux are the important genres in his piano works, which created the far-reaching impacts on future composers.即兴曲、音乐瞬间是他钢琴作品中两种重要的体裁,对以后作曲家的创作影响深远。
3)impromptu spoken language即兴口语
4)extempore interview即兴采访
1.The instant finding, seizing the opportunity in good time and fully playing on spot in the observation of the accident form the trilogy of the extempore interview.即兴采访是记者在遭遇意外的情势下,针对已经发生变化的客观环境及时对采访报道进行调整和发挥,使采访沿着新的变化延续下去的一种采访行为。
5)organizational improvisation组织即兴
6)improvisatorial exertion即兴发挥
延伸阅读

春行即兴
春行即兴
宜阳城下草萋萋,涧水东流复向西。芳树无人花自落,春山一路鸟空啼。==朝代==:唐==作者==:李华==作者小传==:李华(715-766)字遐叔,赞皇(今河北元氏)人。开元进士。官至吏部员外郎。因在安禄山陷长安时受伪职,被贬为杭州司户参军。其诗辞采流丽。有《李遐叔文集》。==体裁==:七言绝句【格律】:○平声 ●仄声 ⊙可平可仄 △平韵 ▲仄韵本作的韵脚是:八齐;可"四支五微八齐十灰[半]"通押。宜阳城下草萋萋,○○○●●○○涧水东流复向西。●●○○●●△芳树无人花自落,○●○○○●●春山一路鸟空啼。○○●●●⊙△==注释==:宜阳:县名,在今河南省西部,洛河中游,即唐代福昌县城。==赏析==:“宜阳城下草萋萋”,作者站立城头观赏景致,只见大片土地荒芜,处处长满了茂盛的野草。接着,一笔便把人们的视野带到了连昌宫和女几山一带。“涧水东流复向西。”太平时期,登上那武后、玄宗曾走过的“玉真路”,不仅可以观看“鸣流走响韵,含笑树头花”的美景,而且也会看到农民利用涧水灌溉的万顷良田,但现在,这里清冷冷的山泉却再没人汲引灌溉,而是任其“东流复向西”了。昔日,这里的香竹、古柳、怪柏、苍松,无处不吸引着众多的游客;而今,且莫说那些,就是红颜吐芳的春花,也早已无人欣赏了。“芳树无人花自落”,这里强调“无人”二字,便道出了诗人对时代的感慨,说明经过安史之乱,再也无人来此观赏,只好任其自开自落罢了!“春山一路鸟空啼”,春山一路,不仅使人想象到山花烂熳,鸟语宛转的佳境,但著以“空啼”二字,却成了以乐写哀,以闹衬寂,充分显示了山路的荒寞;这里不仅再也见不到那么多的游人墨客,而且连耕农、樵夫、村姑都不见了。“自落”、“空啼”相照应,写出了诗人面对大好山河的多少寂寞之感啊==评析==:这是一首景物小诗。作者春天经由宜阳时,因对眼前景物有所感触,即兴抒发了国破山河在、花落鸟空啼的愁绪。这首诗写的是静景,然而静景偏于动处写:水流、花落、鸟啼,无一不是变动的景象。==集评==:李渔《窥词管见》有云:“词虽不出情景二字,然二字亦分主客,情为主,景是客。说景即是说情,非借物遣怀,即将人喻物。有全篇不露秋毫情意,而实句句是情、字字关情者。”诗和词在表现手法上是一致的。这首诗虽然还不能说就做到了“全篇不露秋毫情意”,但句句写景,句句含情,却是比较突出的。尤其值得提出的是,诗中虽然写的是绿草、芳树、山泉、鸟语,都是一些宜人之景,但是这些景色都是为衬托诗人凄凉的心境服务的,它充分显示了诗人对时代的深沉叹惋。