1)Yangzhou Eight Eccentrics扬州八怪
1.Yangzhou Eight Eccentrics in the Painting Circle and Salt Merchants;画坛“扬州八怪”与盐商
2.Textual Research and Comment on Yuan Mei s Associationwith the Yangzhou Eight Eccentrics;袁枚与扬州八怪交谊考述
3.An Overview of the Vicennial Research into Yangzhou Eight Eccentrics近二十年扬州八怪研究综述
英文短句/例句
1.A debate on Yangzhou s Eight Eccentric Painters under the cultural background of Confucian studies in the Qing Dynasty;扬州八家贤怪辩——有违中庸之道的扬州八怪
2.The Queerness of "Yang Zhou Eight Eccentric Painters" and the Commonplace of the Chinese Contemporary Art;“扬州八怪”之怪与中国当代艺术的平庸
3.On Characteristics and Contributing Factors of the Unusual Painting Styles of the Eight Great Odd Painters of Yang Zhou;试论“扬州八怪”怪异画风的特点及成因
4.Eight Eccentric Painters in Yangzhou"and their Artistic Style;“扬州八怪”的形成及其“怪”的艺术特色
5.Unbounded Personality-The Art of “the 8 Eccentrics in Yangzhou”;张扬的个性——“扬州八怪”绘画艺术的启示
6.Influence of Yangzhou's Eight Eccentric Painters on Taiwan's early wash painting扬州八怪对台湾早期水墨画的影响
7.On the Decline of Images In the Paintings of “Eight Eccentrics of Yang zhou”;试议“扬州八怪”艺术中绘画形象的式微
8.An essay on the calligraphy and drawing exhibition of yangzhou baguai held;南京博物院“扬州八怪书画展”随笔
9.Though he specializes in flower-and-bird, he is the extremely rare versatile painter.他非常倾心于徐谓，八大，石涛，扬州八怪的写意画。
10.Cultural Interaction: Two MAS and Eight Weird Persons in Yangzhou--Research into the development of literature and art in the Qing Dynasty;文化互动:“扬州二马”与“扬州八怪”——考察清代文艺发展的一个视角
11.The eight eccentric painters had similar life experiences, ideas and sentiments."扬州八怪"有相近的生活体验和思想情感。
12.after the Four Monk Painters, the Qing Dynasty saw the rise of another revolutionary painting school in the Eight Eccentric Painters of Yangzhou.继"四僧画家"之后，又崛起一个革新画派--"扬州八怪"。
13.Echoed Each Other over Oceans and One Century Apart--The Dutch School and Yang Zhou Eight Eccentrics远隔重洋的世纪神交——荷兰画派与扬州八怪
14.Discussion on the inheritance and development of Chinese paintings by appreciating the eight odd painters in Yangzhou and their works;扬州八怪其人其画—中国画的继承和发展
15.Look Bian Shoumin from the "Chart of the Family Surnamed with Bian Moved to Huai"--One of the Studies on the Eight Artists of Yangzhou从“迁淮边氏谱”看边寿民——“扬州八怪”研究之一
16.The pursue to the aesthetic humanity and personality s beauty--The art style s comparison between Rococo arts and Yangzhou Baguai of China;人性美与人格美的追求——罗可可美术与“扬州八怪”艺术风格之比较
17.The scholars of schoolsof Wu, Wan and Zhe, the Eight Giants of YangZhou, the School of Yangzhou have been helped.吴、皖、浙诸派巨子皆得其惠，扬州八怪、扬州学派更因之而异军突起，树帜艺林学苑。
18.His free-hand flower and bird paintings drew on the painting techniques of Xu Wei, Zhu Da, the Eight Eccentrics of Yangzhou and Wu Changshuo, thus showing his solid cultural foundation.他的写意花鸟画上承徐渭、朱耷、扬州八怪以及吴昌硕，具有深厚的传统文化功力。
相关短句/例句
YangZhou Eight Eccentric Artists扬州八怪
1.The Motive Forces of the Development of Yangzhou Eight Eccentric Artists;扬州八怪发展动因之研究
3)Preliminary Study on Inscription of YangZhouBaGuai s Painting论扬州八怪的题画
4)Eight Eccentrics in Yangzhou扬州八家
5)eccentrics described by Ba八怪
6)Yangzhou[英]['jɑ:?'d??u][美]['jɑ?'d?o]扬州
1.Tentative Study of Improving the Environment on Water in Yangzhou;浅论做活扬州的“水”文章
2.Study on the Rain Water Quality in Yangzhou;扬州雨水质量分析及其利用
延伸阅读
扬州八怪扬州八怪中国清代中期活跃于扬州的一批风格相近的画家。“八怪”最早由李玉棻《瓯钵罗室书画过目考》提出，包括金农、罗聘、李方膺、李鱓、黄慎、郑燮（见郑板桥）、高翔、汪士慎8人，亦有人将高凤翰、边寿民、闵贞等纳入八怪，今通称扬州画派。他们大多为中下层知识分子，富有正义感，不肯与世俗同流合污，或被罢官去职，或仕途多舛，流落扬州，卖画为生。他们大都擅花鸟，亦长于山水、人物，多以梅、兰、竹、菊、石、雁、鱼等为题材，表现自己清高绝俗的思想品格和孤傲的性格。有的则描绘贫民乞丐，表达对下层人民的同情。他们通过题跋诗文，赋予作品以更深的思想内涵。如郑燮以竹声比作民间的疾苦声，升华了作品的主题。他们在艺术上师承陈淳、徐渭、朱耷、石涛、高其佩等富有独创性的画家，其画注重水墨的表现力，笔墨纵横驰骋、直抒胸臆，不拘成法，被正统派视为“怪”，颇受贬抑。他们对近现代中国画的发展产生了重大影响。汪士慎《花卉册》之一
