1)Xin an Art School新安画派
1.Art Huizhou——Post-Xin an Art School s Ideal and Reality;艺术徽州——后新安画派的理想与现实
英文短句/例句
1.On the Ups and Downs of Xin An School of Paintings and its Influence on Post-Huangshan School of Paintings;试析新安画派之盛衰及对“后黄山画派”之影响
2.Art Huizhou--Post-Xin an Art School s Ideal and Reality;艺术徽州——后新安画派的理想与现实
3.Opening the Curtain for Traditional Chinese Painting in the New Century --Comment on the"New Court Art School" Exhibition;为新世纪中国画的发展拉幕——评“新院体画派”
4.after the Four Monk Painters, the Qing Dynasty saw the rise of another revolutionary painting school in the Eight Eccentric Painters of Yangzhou.继"四僧画家"之后，又崛起一个革新画派--"扬州八怪"。
5.On the Picturesque Beauty of the New Poems bythe "Creative School" of Poetry (Sequel II);试论“创造”诗派的新诗绘画美(续二)
6.Other famous members of the Shanghai School of Painting were Hu Gongshou, Pu Hua, Qian Huian and Wu Youru除上述画家外，海派的主要画家还有胡公寿、蒲华、钱慧安、吴友如等。
7.The Similarities and Differences of the Neo-classic School and Impressionic School-as Revealed Comparisions of Dominique Ingres s Bathing Women and Auguste Renoir s Bathing Women;由安格尔与雷诺阿的浴女图谈其画派的绘画风格的异同性
8.The Analysis of the Spiritual Sundial of "Scenery Realism" of New Jinling Picture School;论新金陵画派之“山水现实主义”精神圭臬
9.Painting Form and Soul of Modern Metropolis--A Review of New Emotion School s Composition of Novels;为现代都市绘态画魂——再论“新感觉派”的小说创作
10.This kind of painting is termed"abstract".这种画被称做"抽象派"画。
11.an abstract painting, painter抽象画、 抽象派画家.
12.Impressionist painters, works, exhibitions印象派画家、 作品、 画展.
13.(1490-1576) painter of the Venetian school.（1490-1576）威尼斯画派的画家。
14.On Reform and Innovation of Basic Work of Police Stations;论公安派出所基础工作的改革与创新
15.A New Exploration of the Assessment of Patrolman s Duties in Police Stations;公安派出所巡逻民警履职考核新探索
16.The Differences in the Words Applied by the Old and New Accents in the Rural Areas of Ankang City;安康城区方言新、老派之间的词汇差异
17.Discussion on the Comparisons between the Lijiang Painting School and Several Other Painting Schools of Contemporary Arts in China;漓江画派与中国当代画坛诸画派若干比较刍议
18.Why painting: The study of the spirits on Lingnsn Painting School;画者何为——岭南画派绘画思想考察
相关短句/例句
Post-Xin an Art school后新安画派
1.From the beginning of the Post-Xin an Art school s construction,to explore new idea on base of absorbing the past achievements,to promote the development of Huizhou Art in various ways and re-collect Huizhou Art,have become the most important tasks of Huizhou s artists.以建构后新安画派为起点,在继承传统的基础上推陈出新,促进徽州艺术多元化的发展,重振徽州艺术,已成为徽州当代艺术家的主要任务。
3)Preliminary Research A Preliminary Probe into Style of Xin an Painting School新安画派风格初探
4)The study about the painting party of Xin an during Qing Dynasty清代新安画派研究
5)Chang an painting school长安画派
1.The artistic practice represented by the Chang an painting school is for the common people,taking the new atmosphere and fresh and vivid feeling of the times as the foundation,and the life as the core.认为长安画派所代表的艺术实践是平民化的,是以时代的新气象与鲜活感作为底蕴的,是以生活为核心的,是发扬民族传统的具有时代气派的文人画,是质朴的田园情结、凝重的时代课题和文人画传统相结合的新时代的中国画。
6)Anhwei School of Painters安徽画派
延伸阅读
巴比松画派巴比松画派BarbizonSchool法国19世纪的风景画派。巴比松为法国巴黎枫丹白露森林进口处，风景优美。19世纪30～40年代，一批不满七月王朝统治和学院派绘画的画家，陆续来此定居作画，形成画派。它不仅以写实手法表现自然的外貌，并且致力于探索自然界的内在生命，力求在作品中表达出画家对自然的真诚感受，以真实的自然风景画创作否定了学院派虚假的历史风景画程式，揭开了19世纪法国声势巨大的现实主义美术运动的序幕。他们厌倦都市活动，信奉“回归自然”。其成员有T.卢梭、N.-V.迪亚兹·德拉佩纳、C.特罗容、C.-F.多比尼、C.-E.雅克等，其中卢梭为其领袖。C.柯罗与J.-F.米莱与此画派关系密切。巴比松画派的画家们反对学院派画家在室内画风景画，主张走出画室在自然光下对景写生，然后以写生稿为基础，进行风景画创作。他们的创作经验，特别是对景写生，以求获得真实新鲜的感受和使画面色调响亮起来的艺术主张和实践，给欧美风景画家，包括印象主义画家以重要启示。C.特罗容《家畜》
