1)Mianzhu Lunar New Year Pictures绵竹年画
1.Mianzhu Lunar New Year Pictures, with Lunar New Year Pictures from Tianjing Yangliuqing, Shangdong Weifang Yangjiabu and Suzhou Taohuawu, are the most famous Chinese Lunar New Year Pictures.绵竹年画与天津杨柳青、山东潍坊杨家埠、苏州桃花坞齐名为中国四大年画,具有浓郁乡土民间特色,已列入国家级非物质文化遗产,成为绵竹的一大旅游品牌,2008年5月的汶川大地震中遭到了重创。
2)New-Year Painting绵竹木版年画
1.Research on Material and Process of Mianzhu New-Year Painting;绵竹木版年画的媒材与制作研究
英文短句/例句
1.Discusses the Development and the Art Features of Sichuan Mianzhu Wood-Block New-Year Prints浅谈四川绵竹木版年画的艺术特征及保护利用
2.Zhuxianzhen, Yangliuqing & Mianzhu Three Place New Year s Painting Color Characteristic Comparison Studies;朱仙镇、杨柳青、绵竹三地木版年画色彩特征比较研究
3.On the Reprinting of A Model book on Raintings from Ten-Bamboo study;朵云轩木版水印与《十竹斋书画谱》的重梓
4.Investigation and Thought of New Year Woodcut made in Yangjiabu,Weifang对潍坊杨家埠木版年画的调查及思考
5.The Study on Inheriting and Propagating Design in the Yangliuqing Wood Lunar New Year s Painting;杨柳青木版年画传承与传播设计研究
6.On Brand Re-positioning of Zhuxianzhen Woodcut Printed New Year Picture;朱仙镇木版年画品牌再定位策略研究
7.Researching about Gusu Engraving of Taohuawu Woodcutting New Years Prints;苏州桃花坞“姑苏版”木刻年画研究
8.Study on the Images of Female Figures in Chinese New-year Folk Wood Engravings of Qing Dynasty;清代民间木版年画女性人物图像研究
9.Comparison between Zhuxianzhen Graphic Arts and Ukiyoe;朱仙镇木版年画与日本浮世绘之比较
10.A Study on the Origin of Fengxiang Board Pictures and its Aesthetic Value;凤翔木版年画源流及其美学价值初探
11.The Development and Evolution of Door-God s Modeling in the New Year s Graphic Pictures;木版年画中“门神”造型的发展与演变
12.The Treasure of Folk Art --The New Year Wood Engraving in Zhuxianzhen;民间艺术的瑰宝——朱仙镇木版年画
13.Inheritance Way of Modern Graphic Wooden Arts in Liangping梁平木版年画工艺当代传承方式研究
14.etchings, woodcuts, lithographs;蚀刻、木刻、平版画；
15.The woodcut reproduced below circulated in print in the1520 s.下图重现的是16世纪20年代流通的木版画。
16.The Use of Life Symbols in the Taohuawu New Year Woodblock Prints in Suzhou生命寓意在苏州桃花坞木版年画中的运用
17.Wood engraving new-year painting is a gold in the art mine.木版年画更是这个艺术宝库中的一朵奇葩。
18.The Protection and Development of Folk Art of the Yangjiabu Wood Engraving Picture in Weifang;潍坊杨家埠木版年画民间工艺的保护与开发
相关短句/例句
New-Year Painting绵竹木版年画
1.Research on Material and Process of Mianzhu New-Year Painting;绵竹木版年画的媒材与制作研究
3)Mianzhu绵竹
1.The tectonic active characteristic of the earthquake sequence with magnitude 5.0 in Mianzhu Qingping,Sichuan in 1999;1999年四川绵竹清平5.0级地震序列构造活动特征
2.Investigation and analysis on the damage of masonry buildings in the urban area of Mianzhu during "5·12" Earthquake;“5·12”地震绵竹城区砌体结构房屋震害调查与分析
3.Zhuxianzhen, Yangliuqing & Mianzhu Three Place New Year s Painting Color Characteristic Comparison Studies;朱仙镇、杨柳青、绵竹三地木版年画色彩特征比较研究
4)Mianzhu City绵竹市
1.The Status Quo of Surface Water Quality and Analysis of Water Environmental Capacity in Mianzhu City;绵竹市地表水环境质量现状及水环境容量分析
2.Emergency evaluation of buildings in Mianzhu City after 5·12 Wenchuan earthquake5·12汶川地震绵竹市房屋震灾评估与分析
5)U.mianzhuensis Yi et L.Yang绵竹榆
6)Sichuan Mianzhu四川绵竹
延伸阅读
绵竹年画绵竹年画流行于中国西南的年画品种。因其产地在四川绵竹，故名。绵竹年画兴于明代，盛于清代，中华人民共和国建立后注入了新内容及现代人的审美趣味。在题材上，绵竹年画与杨柳青、潍坊、武强、桃花坞等地的年画基本相同，但部分作品时有新意，如《郑成功打台湾》、《骑车仕女》、《女学生》等。在形式上，绵竹年画主要有木版套色、绘印结合、完全绘制3种，在技法上吸取了中国传统建筑装饰的彩绘和工笔重彩画的某些手法，色彩鲜艳，对比强烈而又和谐。
