1)China's new opera中国新歌剧
2)Chinese opera中国歌剧
1.On the Combination of Nationalization and Diversification of Chinese Opera Creation;论中国歌剧创作民族化与多元化的结合
2.The Artistic Characteristics of the Opera "Regret for the Past" and Its Positive Effect on the Development of Chinese Opera;歌剧《伤逝》的艺术特征及其对中国歌剧发展的启示
3.Chinese opera develops a school of its own in worldwide opera stage.对传统艺术的吸取促使中国歌剧个性风格的形成,对西洋歌剧优势因素的吸收则成为中国歌剧发展过程中不可或缺的因素。
英文短句/例句
1.Absorption of Western Opera s Dominant Factors by Music Creation for Chinese Opera;中国歌剧音乐创作对西洋歌剧优势因素的吸收
2.Characteristics of Music Creation during Golden Ages of Chinese Operas from Five Operas;从五部歌剧看中国歌剧丰收期音乐创作特点
3.Study on the Image Creation of the Opera of Zijun in Shangshi and Its Implications for the Development of Chinese Operas论歌剧《伤逝》中“子君”艺术形象的塑造及其对中国歌剧发展的启示
4.From the Diversity Musical Factors of "Porgy and Bess" to Research the Development of China Opera;由歌剧《波基与贝丝》的多元性看中国歌剧的发展之路
5.The Artistic Characteristics of the Opera "Regret for the Past" and Its Positive Effect on the Development of Chinese Opera;歌剧《伤逝》的艺术特征及其对中国歌剧发展的启示
6.We've booked three seats at the Chin a Opera.我们在中国歌剧院预订了三个座位。
7.Female Imagery s Human Nature Camouflage of Chinese Opera in 1957-1966;1957-1966年中国歌剧女性形象的人性遮蔽
8.Establishment of Self-character of Music Creation for Chinese Opera;论中国歌剧音乐创作自我品质的确立
9.The Statement of the Nationalization Process of the Chinese Opera Creation in 20th Century;论20世纪中国歌剧创作的民族化进程
10.The Many Influences of Chinese XiQu on Chinese Opere in the 20th Century;20世纪中国歌剧对戏曲诸因素的吸收
11.Initial Researches on the Comparison between Chinese Drama and Western Opera;戏中曲与歌中剧——中国戏曲与西方歌剧比较初探
12.A Brief Account to the Influence of Western Operas on Modern Chinese Operas;浅论西洋歌剧对中国现代民族歌剧的影响
13.Comparison of the Aesthetic Expression between Chinese Opera and Western Opera;中国京剧与西方歌剧审美表现之比较
14.Comparison of Singing between Beijing Opera and European Opera;中国京剧唱法与欧洲歌剧唱法之比较
15.The Song for the Gongmo Kerchief Dance and the Form of the Drama of Chinese Theatre in Their Early Phase;《巾舞歌辞》与中国早期戏剧的剧本形态
16.Studies of American Poetry and Drama in China in the Tenth Five-Year (2000-2004);中国“十五”期间美国诗歌与戏剧研究
17.Study of "China Factors" in Opera Turandot;歌剧《图兰朵》中的“中国因素”研究
18.Constructing the New Opera-Pantomime of China--On Tian Hans Mode of Beijing Opera Reforms;建设中国的新歌(舞)剧——论京剧改革的田汉模式
相关短句/例句
Chinese opera中国歌剧
1.On the Combination of Nationalization and Diversification of Chinese Opera Creation;论中国歌剧创作民族化与多元化的结合
2.The Artistic Characteristics of the Opera "Regret for the Past" and Its Positive Effect on the Development of Chinese Opera;歌剧《伤逝》的艺术特征及其对中国歌剧发展的启示
3.Chinese opera develops a school of its own in worldwide opera stage.对传统艺术的吸取促使中国歌剧个性风格的形成,对西洋歌剧优势因素的吸收则成为中国歌剧发展过程中不可或缺的因素。
3)Chinese national opera中国民族歌剧
1.Since the birth of Chinese national opera in the early part of 20th century, it has become an important aspect of Chinese performing arts.二十世纪初中国民族歌剧在中国诞生以来,就成为了中国文艺舞台上一个重要的舞台表演形式。
4)Chinese Opera Research Institute中国歌剧研究会
5)Chinese Song-Dance Drama Society中国歌舞剧艺社
6)Naissance of Modern Chinese Opera Nascita D'Opera Lirica Della Cina中国歌剧的诞生
延伸阅读
中国歌剧舞剧院中国歌剧舞剧院中国民族歌剧、歌舞表演团体。1953年建立于北京，前身为中央实验歌剧院。1964年定名为现名，下设歌剧团、舞剧团、民族乐队、管弦乐队、舞台美术队、创作室，以演出中国民族歌剧、舞剧为主。该团借鉴欧洲歌剧和舞剧的艺术经验，以民族唱法和民族管弦乐队为表现手段，继承中国古典戏曲舞蹈和民族民间舞蹈的传统，创作、演出了许多有影响的作品，为中国歌剧、舞剧艺术的创新和发展进行了探索。该团的保留剧目有歌剧《白毛女》、《刘胡兰》、《窦娥冤》、《伤逝》、《小二黑结婚》等；舞剧《宝莲灯》、《文成公主》、《雷峰塔》等，舞蹈《盗仙草》、《祝福》、《春江花月夜》等。该团的主要艺术家包括刘郁民、周星华、于夫、郭兰英、李波、李元华、王萍、于颖、赵青、陈爱莲、孙玳璋、张定和、梁克祥、舒铁民等。历任院长有周巍峙、卢肃、安波、马可、晏甬、乔羽、吴雁泽。指挥先后有黎国荃、李执恭等。该团先后到过亚洲、美洲、欧洲等地区的国家访问演出。
