西方音乐史,western music history
1)western music history西方音乐史
1.He was also a controversial figure in the western music history.瓦格纳是西方音乐史上少有的多才多艺的人物,他创作了大量的艺术作品,有着较大的艺术影响力。
2.Tlais article comprehensively discusses the research on western music history since founding of new China.本文对建国以来我国西方音乐史学的研究进行了全景式的观照。
英文短句/例句

1.Discussed History of the Western Music in the Teaching Should Study the Specialized Foreign Language in Music Glossary;谈《西方音乐史》教学中外文音乐词汇的学习
2.On the Advantages and Disadvantages of Two Teaching Modes in Western Music History论《西方音乐史》两种教学方式的利弊
3.The Hermeneutics in the Researches on the History of Western Music in China;论我国西方音乐史研究中的“阐释”
4.Western Music as "Cultural Site" -- Some Ideas on the Teaching of Western Music History;作为“文化现场”的西方音乐——对西方音乐史教学的一点思考
5.On the New Trend of Historiography of West Music Studies-An Analysis of a History of Western Music Seventh Edition从格劳特《西方音乐史》(第七版)看音乐史编纂学研究新趋势
6.Puzzle of Musicologist and Thoughts of Music Historiography in the Eastern and Western;音乐学家的困惑——兼及对中西方音乐史学观的思考
7.On Research in Western Music History Since Founding of New China;试论建国以来我国对西方音乐史的研究
8.New Historicist Concepts:Revelations to the Teaching and Research of Western Music History;借鉴 扩展 深化 重构——史学新观念对西方音乐史教学研究的启示
9.ook Review of the New Edition of A History of Western Music;阅读与思考——关于新版格劳特《西方音乐史》及其历史写作
10.Re-evaluation of the History Course in the Music Education of Normal Universities--Teaching Reform of the History of Western Music and Appreciation Course;重新审视高师音乐教育中的史论课——《西方音乐史与欣赏》课程教学改革
11.Thinking and Practicing--Teaching of Western music history for graduates of performance;思考与实践——表演方向硕士研究生的西方音乐史教育
12.NEW TACTICS FOR TEACHING THE HISTORY OF WESTERN MUSIC Active Study Under the Teacher’s Guide;教师指导下的自主学习——高校西方音乐史教学的新策略
13.History of Western Music Aesthetics and Problem Consciousness of Chinese--Thoughts on "History of Western Music Aesthetics" Teaching;西方音乐美学史与中国问题意识——“西方音乐美学史”教学随想
14.The Comparison between Chinese and Western Religious music in History of Music;中西方宗教音乐在音乐史上的异同与作用
15.But from the historical angle, the development of modern western music has inevitable relations with western musical tradition.但从历史的角度审视,现代西方音乐的个性发展和西方音乐的传统历史有着必然的联系。
16.A Research on the Historical Reasons of Western Music Genres Formation and Change;西方音乐体裁生成、流变的历史动因研究
17.A Discussion of Sublimity in the Western Aesthetics History and its Manifestation in Music;浅论西方美学史中的崇高及其在音乐中的表现
18.Scanning Over the Changing Utterance in the History of Western Musical Genres;语言与命名——话语变动中的西方音乐体裁史扫描
相关短句/例句

the history of western music西方音乐史
3)history of Western music aesthetics西方音乐美学史
1.Secondly,studying history of Western music aesthetics is to provide a discourse for the talks in music,which means how people of every historical period speak of music,and under what circumstance they discuss music in a way they do.对于中国现代的学者来说,研究西方的学问其落脚点不仅仅在于获得关于西方音乐美学史的知识,而是在于如何认识以及重构中华民族的当代学术范式与文化价值体系。
4)Seven Edition《西方音乐史》第七版
5)western music西方音乐
1.A Study of Western Music Research in China (1980-2000);西方音乐研究在中国(1980-2000)
2.There has been a keen debate about the advantages and disadvantages of eastern and western music as well as the relationship between them since the introduction of western music into China.自西方音乐被介绍到中国之后,关于中、西音乐的优劣比较、如何处理中西音乐之关系等问题一直在中国音乐界争论不休。
3.Christian culture is the important soil for Western music,and the very source of its art style.基督教文化是西方音乐的重要精神土壤,也是其艺术形式的直接源头。
6)the West music西方音乐
1.The paper organized the writer s idea,and considered that the book made a profundity and individual analysis to the West music with the past,present and future.音乐价值与文化功能的断裂,音乐自身的高度专业化,听众和音乐之间的疏离,以及非西方音乐因素的渗入,使20世纪以来的现代音乐加速走向离散和分裂。
2.The music instrument classification generally used the conception and method of macroscopic and submicroscopic in the West music system for long time.长期以来,在西方音乐体系里较多习用宏观分类法和微观分类法这一对乐器分类观念和方法。
延伸阅读

《西方近代心理学史》  高觉敷主编。人民教育出版社1982年出版。本书为高等学校心理学、教育学和哲学专业的教材,参加编写者共16人。    本书除绪论、总结和展望外共有17章,系统地介绍了近代西方心理学的产生和发展,尤其是西方心理学各学派的产生和发展,以及它们在当代心理学中的影响。第1和第2章讨论了17~18世纪英、法、德三国的哲学心理学思想;第3章介绍了19世纪的生理心理学;第4~6章介绍了W.冯特与实验心理学,以及与冯特同时代的德国心理学家;第7章是"进化论及其对心理学的影响";第8~10章分别是"构造主义和机能主义"、"哥伦比亚的机能心理学"、"麦独孤的策动心理学";第11~16章,重点介绍与讨论了行为主义、格式塔心理学和精神分析,以及它们的发展;第17章是"日内瓦学派",主要介绍了J.皮亚杰的心理学理论。本书尊重史实,对所涉及的西方心理学家及其思想作出了客观的分析和评价。具有较高的理论水平和学术价值。