1)Liaozhailiquji聊斋俚曲集
1.The Image of Ordinary Women in the Book—Liaozhailiquji;论《聊斋俚曲集》中的世俗女性形象
英文短句/例句
1.The Image of Ordinary Women in the Book-Liaozhailiquji;论《聊斋俚曲集》中的世俗女性形象
2.Some Differences in Grammar Between Xingshi Yinyuan Zhuan (醒世姻缘传) and Liaozhai Liqu Ji(聊斋俚曲集);《醒世姻缘传》和《聊斋俚曲集》语法特点的差异
3.The “Nan and Bei Verses”, Ming and Qing Ditties, and Folk Songs: Reflections on the Combination of Nan and Bei Verses in Liao Zhai Zhi Yi;“南北曲”、明清小曲和聊斋俚曲——从聊斋俚曲“南北合套”曲的唱腔说起
4.,The subjunctive particle zhe(着)in the Liaozhai Vulgar Verses and some related issues;聊斋俚曲里的假设助词“着”及相关问题
5.The Study on the Cultural Connotation of the Dialect Vocabulary in
6.Overseeing the Development of Zichan Dialect Personal Pronouns from <Liao Zhai Folk Tune>;由《聊斋俚曲》看淄川方言人称代词的发展
7.A Study of Preposition "着" of Shandong Dialect in Liaozhai Liqu从《聊斋俚曲》看明清山东方言里的介词“着”
8.A Comparative Study on the Musical Characteristic of Liaozhai Vulgar Songs to Shandong Tune Opera and Minor Opera in the Ming and Qing Dynasties;聊斋俚曲及与明清山东时调、小戏的音乐比较研究
9.Echo from the Great Mother-A Comparative Study of the Female Characters in Strange Interlude and Strange Tales from a Lonely Studio;《奇异的插曲》与《聊斋志异》女性形象比较研究
10.Selecting in Drama Adapted from Novel Source from Qing Dynasty’Liaozhai Drama;从清代“聊斋戏”看戏曲改编对小说素材的选择性
11.A Lamenting Pastoral Song -- On the Philosophical Implication of A Legendary Record in Self-diversion Study·Xiangyu;牧歌一曲 哀惋不尽——论《聊斋·香玉》的哲理意蕴
12.The Analysis of the Order's Function in Liao Zhai Zhi Yi --Evaluate the Gain and Loss of the "Yi Shi Shi Yue"《聊斋志异》曲终奏雅艺术探析——评“异史氏曰”的得失
13.Xiaodiao also known as "xiaoqu", "liqu", and etc., these folksongs flourished in urban areas and markets.小调又称小曲、俚曲等，广泛传播于城镇集市，
14.Rare Witticism of Different in Approach but Equally Satisfactory in Result--Liao Zhai and One Hundred Years of Solitude;难得的异曲同工之妙——《聊斋志异》与《百年孤独》比较论略
15.Ten Patterns of Liaozaizhiyi Transforming into Opera:Traditional Sichuan Opera as an Example;《聊斋志异》转化为戏曲的十种方式——以传统川剧为例
16.Documents and materials collection,arrangement and publication of Pu SongLing(薄松龄)and“LiaoZhaiZhiYi(聊斋志异)”of the 20th century;二十世纪蒲松龄及《聊斋志异》文献的搜集、整理与刊布
17.In the context above, we may read out some national awareness of Pu Songlin, the author of Liao-Zhai-Zhi-Yi in which the little animal story is concluded.《聊斋志异》以此突出“虎”在“小兽”面前的懦弱，是蒲松龄民族意识的曲折表现。
18.Daemon: A comparison between Strange Tales from a Lonely Studio and Pilgrimage to the West精变:《聊斋志异》与《西游记》的比较
相关短句/例句
Liaozhai Liqu《聊斋俚曲》
1.A Study of Preposition "着" of Shandong Dialect in Liaozhai Liqu从《聊斋俚曲》看明清山东方言里的介词“着”
3)Liao Zhai Popular Tunes聊斋俚曲
4)A Study of Idioms in Liaozhai Folk Poems聊斋俚曲熟语研究
5)Poems of a Lonely Studio《聊斋诗集》
6)Liao Zhai Corpus《聊斋文集》
延伸阅读
聊斋俚曲集中国通俗说唱作品集 。 清初作家蒲松龄著 。1936 年和1962年路大荒两次辑录、整理，共收有俚曲13种，但仍非全部，实为14种，保存最为完好的是日本庆应义塾大学图书馆。计有《姑妇曲》、《慈悲曲》、《翻魇殃》、《寒森曲 》、《蓬莱宴》、《俊夜叉》、《快曲》、《丑俊巴》、《富贵神仙》、《增补幸云曲》、《墙头记》、《禳妒咒》、《磨难曲》、《穷汉词》、《琴瑟乐曲》等。其中，《富贵神仙》与《磨难曲》都是据《聊斋志异》中的《张鸿渐》改编。蒲松龄墓碑阴上题作《富贵神仙后变磨难曲》，应为一种，故14种。蒲松龄的俚曲，从题材上看，有的是根据他的文言小说改编，如《姑妇曲》，据《珊瑚》，《慈悲曲》依《张诚 》等；有的是新创，如《俊夜叉》写张飞在华容道刺死曹操的虚构故事 ，《 丑俊巴 》写猪八戒调戏潘金莲的虚构故事 ，《幸云曲》叙正德皇帝嫖妓，《穷汉词》写一穷汉向皇天哭诉，希望改变悲惨命运的心理活动，《琴瑟乐曲》则描写一个青年女子的婚嫁迎娶的经过，内容广泛，勾勒了一幅生动的社会生活风俗画卷。蒲松龄采用通俗说唱的形式，信手拈来，妙语成趣，言语本色易晓，适合演唱。这些俚曲，不仅在蒲松龄生前演唱过，而且其中个别曲调、曲词，长期以来在山东淄博地区广为流传，如《墙头记》，一直是五音戏 、山东梆子的保留剧目，其他剧种也曾移植演出。
