亚纪实,semi-fiction
1)semi-fiction亚纪实
1.Eileen Chang,semi-fictionalized their characters in their books.在海外华人文学创作中,亚纪实是一个非常重要的特点。
英文短句/例句

1.Overseas Chinese Semi-Fictitious Literature:Through the Reading of Eileen Chang's Little Reunion论海外华人的“亚纪实”文学——从张爱玲《小团圆》谈起
2.On the Relations of the Countries of Central Asia and Russia in the 16~(th) and 17~(th) centuries;论16至17世纪中亚国家与俄国关系的实质
3.He is pretty well advanced in years, but hale, robust, and florid (Tobias Smollett).他年纪虽相当大了但仍很健壮、结实且脸色红润(托比亚斯 斯摩莱特)。
4.Conducting Innovation-Oriented Education to Cultivate More Innovative Talents--Prospects for East Asian Countries Educational Reform in the 21st Century;实施创新教育 造就创新人才——21世纪东亚国家教育改革展望
5.On The Third Generation of CCP Leading Group s Foreign Practices to Asian-Pacific Area in the Turn of the New Century;第三代中央领导集体的跨世纪亚太外交实践述论
6.pre-Pennsylvanian rocks宾夕法尼亚纪前岩类
7.Ancient and Medieval Coins of Central Asia中亚古代和中世纪钱币
8.The Asianism of Japan in the Transitional Period from the 19~(th) to the 20~(th) Century;19世纪与20世纪之交的日本亚洲主义
9.The Pennsylvanian Period.宾夕法尼亚纪,宾夕法尼亚系
10.Science and Technology Pattern of Asia at Present and in the 21st Century亚洲科技与21世纪的亚洲科技格局
11.The Probe on the Reason of Turklization of Asia Minor from 11-14 Century;11-14世纪小亚细亚突厥化原因初探
12.[ENSTR]=”I never would have predicted that my search for an ancient sword would prove the existence of the 11th century King Arthur and the court at Camelot.我绝未曾料想到,我所搜寻的古代神剑竟能证实十一世纪的亚瑟王和卡米洛特宫的存在。
13."and anab, and Eshtemoh, and anim;"亚拿伯,以实提莫,亚念,
14.At the same time, he released his album A Medio Vivir that featured @Maria.同时,他出版了他的纪念专辑A Medio Vivir,纪念“玛丽亚”。
15.Ladies and gentlemen, many have billed the 21st Century to be the "Asian Century".各位,很多人都认为二十一世纪是“亚洲的世纪”。
16.On the Batavia Chinese Social Situation during the End of 18~(th) and Mid-19~(th) Century;18世纪末至19世纪中期吧达维亚华人社会状况
17."Asia and Asians have a great future in the 21st century.他说,亚洲和亚洲人在21世纪有伟大的未来。
18.Yaxiya Yanyuji and Chinese Language Teaching of 19th Century in Japan;《亚细亚言语集》与十九世纪日本中国语教育
相关短句/例句

subperiod亚纪
3)on-the-spot record纪实
1.The films directed by ZHANG Yi-mo,Hong Gao Liang and Shi Mian Mai Fu,experience the legend of the drama,on-the-spot record of the stories and the poetic quality of the images,going step by step from the traditional descriptive style of the Chinese films to the present style with modern smell.张艺谋拍摄的影片,从《红高粱》到《十面埋伏》,经历了戏剧性的浪漫传奇、故事性的理性纪实、影像性的虚幻诗意的嬗变过程,一步一步从中国电影传统的叙事风格迈向目前世界具有现代性的电影叙事风格。
4)record of actual events纪实
1.There is a powerful tendency to the record of actual events in the contemporary film and TV which is embodied in the creation of record called "New Record Campaign" named by Lu Xinyu,in a few films having on-the-spot record and more plenty of TV programs belonging to on-the-spot record made by many TV stations.当代影视创作中出现了一股声势浩大的纪实倾向,它表现在被吕新雨命名的“新纪录运动”纪录片创作中;在一些“纪实”性电影故事片;更多的体现在许多电视台制作的大量“纪实”类电视节目中。
2.The paper mainly expounds Wang Anyi’s novels and her theories on novels and elaborates the situation of conversion of their binary opposition from the point of narration around the mutual relationship between record of actual events and fiction in novel’s nature.本文对王安忆的小说及其小说理论进行论述,围绕纪实与虚构在小说文本中的相互关系,从叙事角度来阐述它们二元关系的转化。
5)documentary[英][,d?kju'mentri][美]['dɑkj?'m?ntr?]纪实
1.This paper aims to discuss the literary value of Ye Yonglie s documentary literary works in terms of writing style and techniques and distinctive features.本文主要对叶永烈的纪实类文学作品进行分析论证,从他的创作风格,创作手法和特色进行梳理,分析其作品的价值。
2.Contrary to its tradition, documentary TV program is also on the way of entertainmentization becoming to a part of entertainment TV program, as the trend of entertainment in Chinese TV industry is more and more popular.基于电视纪实语言的电视纪实节目和基于电视艺术语言的电视娱乐节目是当代电视节目中的两大基本节目形态,其所承担社会功能各有侧重。
3.In terms of the form of the program, "Reality TV" incorporates such program conformations as documentary, amusement, games, talk shows, indoor opera, and news reporting.在节目形式上,“真实电视”融纪实、娱乐、游戏、脱口秀、室内剧,新闻等节目形态于一体,继承了广播、电影等媒体的特点,特别是将纪实手法运用于虚构类的游戏娱乐节目中,用电视续写了“真实电影”纪实美学的传统。
6)documentation[英][,d?kjumen'te??n][美]['dɑkj?m?n'te??n]纪实
1.By means of either imagination or documentation , he has had as his writing purpose the keen-edged criticism.在长达半个多世纪的“写作之旅”中,奈保尔以后殖民社会为主要写作对象,以想象与纪实为写作手段,以尖锐的批评为写作目的。
2.Having made a general study of his movies over the years, from his first work THE RED CHINESE SORGHUM in 1983 to the latest movie HERO in 2002, which are grouped into “ideography”and “documentation”, the thesis dissects the anesthetic ideas contained in those movies and further excavates the roots of the “two-pole”aesthetic phenomenon and the “extreme”director’s t.这是一篇关于张艺谋电影“两极”美学现象和“极致”导演思维的研究,是从张艺谋个人独特的“极致”导演思维出发,把他的电影作品——从1983年的处女作《红高梁》一直到2002 年的《英雄》——分为表意和纪实两极,作了一次宏观全面的梳理,分析其中包含的美学内蕴,并探究这种“两极”美学现象和“极致”导演思维产生的根源。
延伸阅读

纪实摄影纪实摄影是凸显纪实性、真实性、强调客观反映的摄影形式。新闻报道摄影、文献摄影等多数都可以被理解为纪实摄影。纪实摄影目前是中国特有的词汇,西方尚没有对应的词汇。在定义上,纪实摄影与西方的文献摄影最为接近,其目的在于纪录社会现实,特别是即将消失的社会现实、人类生存状况,强调其社会学的文献价值,拍摄上主要强调真实与消除偏见的纪录现实事物。