1)Zajuse杂剧色
2)Zaju features杂剧特色
英文短句/例句
1.Exploration in the Sentence Pattern of "则被NV杀O也"-Exploration in the Characteristic Sentence Pattern of Variety Opera in Yuan Dynasty(Part Three);“则被NV杀O也”句式探析——元杂剧特色句式探索之三
2.comic aesthetic features of chandan in zaju of Yuan Dynasty;元杂剧搽旦角色的喜剧审美特征探微
3.The Poetic Play Pilgrimage to the West: Features Characteristic of the Times as Reflected in Its Ideological Content;杂剧《西游记》思想内容的时代特色
4.Two Typical Social Comedies-Analysis on GUAN Han-qing s Jiufengchen and Wangjiangting;两部独具特色的中国古代世态喜剧——关汉卿《救风尘》、《望江亭》杂剧剖析
5.A study of the minor roles of the comic performances in the Song Dynasty:XIAO,ZHENG and RUO;杂剧亚脚色“哮”、“郑”、“偌”考
6.On the artistic features of small theater opera;论小剧场歌剧《再别康桥》的艺术特色
7.This is an RPG game featuring a complex storyline that will make you heavily involved with the characters.这是一场以一个将会很重地制造你和个性牵涉的复杂剧情为特色的RPG游戏。
8.On the Characteristics of the Artists Self-Analysis in The Dragon Boat Meeting;论《龙舟会》杂剧的文人自寓性特征
9.Views on Characteristic Aesthetic Value of a Yuan Drama Likui Proffers A Birch;论元杂剧《李逵负荆》独特的审美价值
10.Analysis of the Character in Chinese and Western Structure of Tradition Theater--The Difference of Ontology in Ancient Greek Tragedy and Yuan Traditional Opera;中西传统戏剧结构之特性剖析——古希腊悲剧与元杂剧戏剧本体特性的差异
11.Carnival Comedy Character in The Canterbury Tales;《坎特伯雷故事》中的狂欢化喜剧特色
12.“Garden”Culture in the yuan opera;满园春色关不住——元杂剧中的“后花园”文化现象
13.On the “Dramatic Imitation” Between the Types of Role and the Characters in the Yuan Plays;试论元杂剧脚色与人物之间的“戏拟”关系
14.On the Characteristics and Aestheticism of the Modern Customs Comedy;论现代风俗喜剧的构剧特色和美学风范
15.On Chinese Characteristic Musical Play;浅谈中国特色的音乐剧——在音乐剧高职教学中如何体现中国特色
16.situation comedy;(comedy,usu a TV or radio programme,based on a set of characters in a particular situation)情景喜剧（一批角色在特定情景中的喜剧表演,通常指电视或广播剧）.
17.To Understand "Pinteresque": On Characteristics of Harold Pinter s Plays;解读“品特风格”—哈罗德·品特戏剧特色研究
18.He played an important role in Hamlet.他在《哈姆雷特》剧中演一重要角色。
相关短句/例句
Zaju features杂剧特色
3)Distinction Between Zajuse and Jiaose杂剧色非脚色辨
4)plays[英][plei][美][ple]杂剧
1.On the calls for the imperial examinations by the underlings in the plays of Yuan;呼唤科举:元杂剧中下层文人的生命呐喊
2.Through comparisons between the figure of Li Cunxiao in plays, in the New Edition of Tales from the Five Dynasties and in Historical Novels of Late Tang through the Five Dynasties, this paper points out that Li Cunxiao is the primary protagonist of plays and novels.杂剧、《新编五代史平话》和《残唐五代史演义传》中均有李存孝形象,但杂剧和《残唐五代史演义传》保存了民间讲史的基本内容,而《新编五代史平话》的改编写定者则参考史籍,对讲史内容作了重大调整,在主题与结构上向正史靠拢,可以看作是古代通俗小说文人化的肇始。
3.Ma Zhiyuan s experience and plays show that Autumn in Palace is not to express the nation s emotion but it is a tragedy for the scholars at that time.马致远的生平经历、散曲创作及其杂剧创作表明,他的代表作《汉宫秋》杂剧主要不是在表现民族情绪,而是一部元代文人的时代悲剧,是马致远这个传统文人的人生悲剧。
5)drama[英]['drɑ:m?][美]['drɑm?]杂剧
1.Guan Hanqing s dramas play an important role in Chinese drama history because of their rich contents,large quantity and perfect style.关汉卿的杂剧创作因其内容丰富、数量众多、体制完备而在我国戏曲史上占有重要的地位。
2.The vocal mimicry in Yuan dramas is a problem to be further discussed.杂剧中的口哨是值得深入探讨的问题。
6)Zaju杂剧
1.The Significance of Sishengyuan in the Transform of Zaju;《四声猿》在杂剧转型中的意义
延伸阅读
驾头杂剧闺怨杂剧jiatou zaju guiyuan zaju驾头杂剧闺怨杂剧 元杂剧的分类名目。元末夏庭芝《青楼集》列当时杂剧名目有驾头、闺怨、花旦、绿林、公吏、神仙道化等类别。 驾头杂剧,是指有皇帝出现的剧目。驾头,亦名宝床,是皇帝的座椅，有龙绘装饰。宋、金皇帝出巡时，老内侍抱驾头于马上，走在皇帝乘舆之前，于是驾头便成为皇帝的一种标志。元杂剧中，如《伊尹扶汤》、《比干剖腹》、《梧桐雨》、《汉宫秋》、《遇上皇》等剧目，都有“驾”（皇帝）出现，故都属驾头杂剧。驾头杂剧多为“末本”，属“披袍秉笏”一类（见明朱权《太和正音谱·杂剧十二科》，即后世所谓皇帽戏或袍带戏）。为了杜绝某些有损封建最高统治者形象的现象发生，明初对驾头杂剧的演出限制很严。据明代顾起元《客座赘语》卷十《国初榜文》载，永乐九年（1411）七月规定“但有亵渎帝王圣贤之词曲驾头杂剧,非律所该载者,敢有收藏传诵印卖，一时拿送法司究治”。 闺怨杂剧，指以表现“闺中怨女”生活为主要内容的杂剧。这类杂剧以关汉卿的《闺怨佳人拜月亭》最为有名。 （吴国钦）
