1)Feng Menglong冯梦龙
1.Comparing the Image of Two Girls Described by Feng Menglong and Ihara Saikaku;冯梦龙与井原西鹤笔下两个少女形象的比较
2.A Tentative Study of Feng Menglong s Theoretical Concept of Opera;试论冯梦龙的戏曲理论观念——兼论其戏曲理论与原创作品之间的“错位”
3.Probe into composition of Feng Menglong s ideological personality and the world of reasons in his Stories from a Ming Collection;冯梦龙的思想个性构成与“三言”的情理世界微探
英文短句/例句
1.The Owner of Suzheng Tang Bookstore Is Feng Yu, the Son of Feng Menglong;“素政堂主人”为冯梦龙之子冯焴考
2.The Study of Feng Menglong s Folkjoke Theories and Values--Based on Three Folkjoke corpuses edited by Feng Menglong;试论冯梦龙的笑话理论及其意义——以冯梦龙辑录的三部笑话集为例
3.The Emotional Moral Education of Feng Menglong and the Judgement on Women in "San Yan";冯梦龙的情教观与“三言”中的女性评价
4.The study of composition of the Wu Dialect in the work of "San Yan" written by Feng Meng-long;冯梦龙“三言”小说的吴语成分研究
5.An Analysis on Feng Meng-long s Thoughts--A Case of "Sanyan";冯梦龙编辑理念探析——以“三言”为中心
6.Restricted View on Feng Menglong s Emotion and Chastity Concept from History of Love;从《情史·情贞》管窥冯梦龙的“情贞”观
7.Feng Menglong s Different Attitudes Toward Buddhism and Taoism in San Yan;试论“三言”中冯梦龙对释道的不同态度
8.Comment on Feng Menglong's Ballad Collections--Cassia Twig & Shan Ge冯梦龙《挂枝儿》、《山歌》的评注特色
9.Feng Meng-long's Idea of "the Feeling is Taught" Reflected in Sanyan冯梦龙情教思想在“三言”中的体现
10.Influence of Buddhist Thought on Feng Menglong's Sanyan略论佛道思想对冯梦龙“三言”的影响
11.Feng Menglong is a great writer in ancient China.“三言”是明代冯梦龙的三部白话短篇小说集。
12.The Genuine Poetry Being Active in the Folk World;从冯梦龙编纂民歌时调看明代“民间真诗”理论
13.The Sentiment Education Thought of Feng Menglong and the Representation in "San Yan";冯梦龙的情教思想及其在“三言”中的体现
14.Comparing the Image of Two Girls Described by Feng Menglong and Ihara Saikaku;冯梦龙与井原西鹤笔下两个少女形象的比较
15.Probe into composition of Feng Menglong s ideological personality and the world of reasons in his Stories from a Ming Collection;冯梦龙的思想个性构成与“三言”的情理世界微探
16.Should the novel enter literary mind or harmony with ears?--on Feng menglong s novel s thoughts;“入于文心”与“谐于里耳”——冯梦龙小说思想研究之二
17.Convert calling-analysis on Feng Menglong s moral standard;隐性的呼唤——探析冯梦龙的道德评判标准
18.On Feng Menglong s Ideological Contradiction between Love Education and Moral Education in Sanyan;从“三言”看冯梦龙情教与道德说教的思想矛盾
相关短句/例句
Feng Meng-long冯梦龙
1.Narrative Perspective in ShanGe of FENG Meng-long;冯梦龙《山歌》的叙事视角
3)Study on Feng MengLong s Idea冯梦龙思想研究
4)Lu Xun and Feng Menglong鲁迅与冯梦龙
5)Feng Meng-long s Talking About a Play Plot冯梦龙论戏曲情节
6)FENG Meng-zhen冯梦祯
延伸阅读
冯梦龙冯梦龙（1574～1646）中国明代通俗文学家，戏曲家。字犹龙，又字子犹，自号姑苏词奴，又号顾曲散人、墨憨斋主人，别署龙子犹。长洲（今江苏苏州）人。兄弟3人皆有才名，并称吴下三冯。冯梦龙少年时即有才情，博学多识，为同辈所钦服。但他自早年进学以后，屡试不中，久困诸生间，落魄奔走。万历末，他曾应邀到湖北麻城田氏家讲授《春秋》。天启元年(1621)，冯梦龙宦游在外，次年因言论得罪上司，归居乡里。天启六年，阉党逮捕周顺昌，冯梦龙也在被迫害之列。就在阉党横行时，他发愤著书，完成三言（《喻世明言》、《警世通言》、《醒世恒言》）的编纂工作和《古今谭概》、《太平广记钞》、《智囊》、《情史》、《太霞新奏》等书的评纂工作。冯梦龙关心政治，崇祯三年(1630)取得贡生资格，任丹徒县训导。五年参加复社，被尊为同社长兄。七年升福建寿宁知县。福建《寿宁府志》列他为循吏，说他“政简刑清，首尚文学，遇民以恩，待士以礼”。秩满离任后归隐乡里。晚年仍孜孜不倦，继续从事小说创作和戏剧整理研究工作。清兵南下，他怀念故国，清顺治三年(1646)春忧愤而死，另一种说法是被清兵所杀。 《古今谭概》封面冯梦龙是一个有多方面文学才能而又多产的通俗文学作家。他重视通俗文学的社会功能，奠定了这类通俗文学在中国文学史上的地位。
