1)Sima Xiangru司马相如
1.Sima Xiangru and Opening Up Southwest Nationalities;司马相如与通“西南夷”
英文短句/例句
1.Two Sima in Western Han Literature西汉文章两司马——《史记·司马相如列传》考论
2.Sima Xiangru: Sage of Fu Poetry Produced in the Early Han Dynasty司马相如:汉初社会经济孕育的“赋圣”
3.On the Personality and Literary Spirit of Sima Xiangru;司马相如的人格精神和文学精神探析
4.The Influence of Taoist Thinking upon the Momentum of Sima Xiangru s Poems;道家思想对司马相如辞赋气势的影响
5.Explanation of "Sima Xiangru Moving Wenjun by Qin-Playing";弹琴而感文君——司马相如“琴挑文君”说解
6.Zhang Yuzhao s Conflicting views on Sima Xiangru s," Feng chan wen;论张裕钊《辨司马相如〈封禅文〉》
7.Differentiating between Sima Xiang-ru s Zi Xu Fu and Tian Zi You Lie Fu;司马相如《子虚赋》与《天子游猎赋》辨
8.Glorifying the Emperor by Writing:An Interpretation of the Spirit of Sima Xiangru's Text代天子立言:司马相如文本的精神解读
9.Sima-qian, Ban Gu and Sima-xiang ru -Restricted Review on the Valuable Point of Scholar-Officals of Western and Eastern Han;司马迁与班固眼中的司马相如——两汉文人的价值观演化之管窥
10.Different Ideas on the Attention on "Love Saints" in Sima Xiangru Biography;解读司马相如列传重视一代“情圣”之异说
11.The Literary Style and Generating Elements of Sima Xiangru s Creation;论司马相如文学创作的风格及其生成要素
12.Study on Eulogy s Characteristics in the Western Han Dynasty through the Eulogy-Eulogized Jingke Authored by Sima Xiangru;从司马相如《荆轲赞》看西汉赞文的体式特征
13.Thematic Magnificence and Thorough Vigor--On Vigor of Prose Poems by Sima Xiangru;命意宏博 气贯一篇——论司马相如辞赋的气势
14.Value Judgement of Naming Method of Characters in Sima Xiangru’s Fu;司马相如赋中人物命名方式的价值判断
15.The Poetic Explaination about the Incident of Sima Xiang-ru Meeting with Emperor Han Wudi;司马相如与汉武帝遭遇事件的诗学解读
16.TEXTUAL RESEARCH FOR WANG PEIXUN’S VIEW ABOUT SIMA XIANG_RU BEING BORN IN TODAY’S PENGZHOU;王培荀的司马相如“实今之蓬州人”说考论
17.In the Western Han Dynasty such famous men of letters as Mei Cheng and Sima Xiangru had spent long years in Kaifeng.西汉时，著名文学家枚乘、司马相如，曾长期生活在开封。
18.It also recruited dozens of the empire's leading literary figures, including Sima Xiangru, to create poems and fu verses, as well as songs, set to music by Li Yannian.又请著名文人司马相如等数十人创作诗赋、歌词，由李延年作曲。
相关短句/例句
Simaxiangru司马相如
1.On the Characteristics of Han Dynasty s Cifu Literatures from the Evolution of Confucian Classics——With Simaxiangru,Bangu,Zhangheng as examples;从汉代经学的演进看汉代辞赋的创作特征——以司马相如、班固、张衡为例
2.On the Literary Style of XiYi of SiMaXiangRu;论《文选》中司马相如檄移文
3)study on Sima Xiangru司马相如研究
4)The Biography of Sims Xiangru《司马相如列传》
5)New Findings on Sima Xiangru司马相如新论
6)Sima Xiangru and Confucianism司马相如与儒学
延伸阅读
司马相如司马相如（前179～前118）中国西汉辞赋家。字长卿。蜀郡成都（今四川成都）人。景帝时任武骑常侍。景帝不好辞赋，他称病免官，来到梁国，与梁孝王的文学侍从枚乘、邹阳等同游，作《子虚赋》。汉武帝即位后见到《子虚赋》，深为赞赏，司马相如被召见又为武帝作《上林赋》武帝遂拜司马相如为中郎将。后奉命出使西南，对沟通汉与西南边疆地区民族之间的融合起了积极作用。四川邛崃司马相如琴台司马相如的文学成就主要是辞赋。《汉书·艺文志》著录“司马相如赋29篇”，今仅存《子虚赋》、《上林赋》、《大人赋》、《长门赋》、《美人赋》、《哀秦二世赋》6篇。其代表作《子虚赋》、《上林赋》，内容上前后相接，故司马迁的《史记》将它们视为一篇，称为《天子游猎赋》。作品的主旨在于歌颂大一统王朝的声威和气魄，同时对统治者的过分奢侈也作了委婉劝戒。在艺术表现方面，两赋结体宏大，描写场面雄伟壮观富有气魄。但不免过分夸奇炫博，内容比较空洞。司马相如的赋重铺排，重夸饰，极富于文采美和音乐美。他的文学创作活动，丰富了汉赋的题材和描写方法，使汉赋成为一代鸿文。明代张溥辑有《司马文园集》，收入《汉魏六朝百三家集》。
