1)Jin Shengtan金圣叹
1.Jin Shengtan s Influences on Korean Popular Literature Criticism;金圣叹对韩国通俗文学批评影响之初探
2.Jin Shengtan s Thought and Character Contradiction and Their Culture Meaning;金圣叹思想性格的矛盾及其文化意蕴
3.Research on the Basic Historical Fact of Jin Shengtan——Making an Inquiry into the Origin of Historical Fact of the "Comments" after Reading Collected Poems of Chenyin Lou and Distinguishing between Right and Wrong;金圣叹基本史实考论——《沉吟楼诗选》“读后记”史实探源与辨误
英文短句/例句
1.CUI Ying-ying in the eyes of JIN Sheng-tan--On The West Room criticized by JIN Sheng-tan金圣叹眼中的崔莺莺——评金圣叹所批《西厢记》
2.Seeing Jin Sheng-tan s Cultural Personality from his Criticizing The Water Margin;从金批水浒看金圣叹文化人格的分裂
3.The Study of Criticism Category to the West Chamber from Jin Shengtan;金圣叹批《西厢记》的戏曲批评范畴研究
4.Jin Shengtan s Thought and Character Contradiction and Their Culture Meaning;金圣叹思想性格的矛盾及其文化意蕴
5.Exploring of the Causes of Jin Shengtan s Remarks on The Water Margin with "Paintings";金圣叹用“画”评《水浒传》的原因
6.A Tentative Study of Why Jin Shengtan Used "Drawings" in His Review of The Heroes of the Marshes;金圣叹用“画”评《水浒》原因探析
7.FOLLOWING WEN(文) TO MAKE EVENTS: JIN SHENG-TAN S THEORY ABOUT COMMENTS OF NOVEL NARRATIVE SPECIALITY;“因文生事”:金圣叹的小说叙事特质论
8.Discussing the Artistic Configuration of the Edition of The Story in West Room Criticized by JinShengtan;论金圣叹批评本《西厢记》的艺术体制
9.The Art of Figures of Speech in Jin Shengtan s Comments on All Men Are Brothers;金圣叹《水浒传》评点中的比喻艺术
10.The Abridged Edition of Water margin by Jin Shengtan Seen form the May Fourth movement;从“五四”出发看金圣叹“腰斩”《水浒》
11.An Analysis of the Aesthetic Psychological System of Jin Sheng-tan’s Creation of the Personalities;论金圣叹人物性格论的审美心理机制
12.Approach to Jin Shengtan s Editing Shui Hu Zhuan and Xi Xiang Ji;金圣叹腰斩《水浒传》与《西厢记》新探
13.On the Theoretical Contributions to Literary Criticism Made by Jin Shengtan in his Commentaries On A Record of the West Wing;论金圣叹《西厢记》评点的理论贡献
14.The Characteristics of Jin Sheng-tan s Acceptance Theory of the Commentary on the Novels and Drama;金圣叹小说戏曲接受理论的基本特色
15.A View On "Origin And End Create Each Other" of Literature Reading Fnom Jin Shengtan s Postil;从金圣叹评点看文学阅读的“有无相生”
16.The Theory of Fabrication in Jin Shengtan s Criticism on “Outlaws Of The Marsh;金圣叹《水浒传》评点的艺术虚构论
17."Well-knit":on Jin Sheng-tan s Concept of Integrative Structure--Taking Jin s Comments on Outlaws of the Marsh as an Example;“精严”:金圣叹的“结构之道”——以金评《水浒传》为例
18.The study of the Sheng-t`an narratology;金圣叹叙事学思想研究——从金圣叹对《水浒》《西厢记》的局部修改看其叙事学思想
相关短句/例句
JIN Sheng-tan金圣叹
1.Review on Jin Sheng-tan s Novel Theory of Narrative Angle;金圣叹的小说叙事角度论再探
2.Jin Sheng-tan and His "Micro-Critique Approach": A Buddhism-based Literary Comment;虚空出生色相——从“极微法”理论看金圣叹小说评点的佛学立场
3)Jin Sheng Tan金圣叹
1.Jin Sheng Tan s Critical Review on the Expository Theory of Cai Zi Gu Wen;论金圣叹评点《才子必读古文》的散文理论
2.The West Chamber commented by Jin Sheng tan was influenced by Buddhism and Chan Sect greatly.金批《西厢记》受佛学禅宗影响甚深 ,金圣叹用“赵州无”公案阐释了艺术创作中超越艺术构思之“有”“无”的充分自由的特定创作规律 ,并由此揭示《西厢记》所潜涵的超越意识观念之“有”“无” ,从而达到无住无念 ,精神绝对自由的生命境界的思想意旨 ;用佛禅的虚空、梦幻观念解析了《西厢记》人生如梦及追求随缘任运的人生境界的思想内涵 ;用“极微”论等阐释了《西厢记》小中见大的创作方法。
3.Jin Sheng tan s friendship with the Shen clan in Wujiang exerted great influence on Jin.金圣叹与文学世家吴江沈氏的交往 ,对其一生影响甚大。
4)Jin Shentan金圣叹
1.A Review of Theoretical Study of Jin Shentan s Novels in the 20th Century;20世纪金圣叹小说理论研究述评
2.Was Jin Shentan Farsighted or Just Picking up Phrases from sb. and Passing them off as his Own -Contrasting again the Criticisms of Lu Xun and Hu Shi;金圣叹是“拾人唾余”还是“眼光过人”——鲁迅与胡适的批评再比较
3.Jin Shentan’s Mentality and Literary Criticism;金圣叹的心态与文学批评(下)
5)JinShengtan金圣叹
1.Discussing the Artistic Configuration of the Edition of The Story in West Room Criticized by JinShengtan;论金圣叹批评本《西厢记》的艺术体制
2.Jinshengtan was one of the most famous authority critics on Chinese ancient novels,and was also a controversial figure.金圣叹是中国古代小说理论批评的集大成者,亦曾是一位颇有争议的人物。
6)Jin Shengtan's postil金圣叹评点
延伸阅读
金圣叹金圣叹(1608~1661)中国清代文学批评家。名人瑞,字圣叹,以字行。原名采,字若采,明亡后更名。一说本姓张。吴县(今江苏苏州)人。明诸生,一生绝意仕进,以著述为业。性格诙谐怪诞,狂放不羁,好饮酒,言行不同流俗。学问渊博,议论多警世骇俗。顺治十八年(1661),清世祖崩,吴地官吏设幕祭灵,时金圣叹与诸生百余人为逐贪官县令哭于文庙,因而以震惊先帝、聚众倡乱罪被处斩。他诗文均有名,而主要成就在文学批评,尤在小说戏曲的评点上。他将《庄子》、《离骚》、《史记》、《杜诗》、《水浒传》、《西厢记》合为六才子书,准备逐一评点,仅完成第五、第六两种。他的评点提高了小说、戏曲地位,评点中颇多精警之见。著有《沉吟楼诗集》、《唱经堂才子书汇稿》等。金圣叹手迹