1)Nuo傩
1.The effects of Taoism on Nuo Opera in southeast Chongqing——Taking incantations for removing masks in Yujia s Nuo Opera at Xiushan as an example;道教对渝东南傩戏的影响——以秀山余家傩戏面具开光咒语为例
英文短句/例句
1.Exorcising opera in western Hunan derived from Han nationality, and evolved from exorcising sacrifice, to exorcising ceremony, to exorcising dance and to exorcising opera.湘西傩堂戏源于中原汉族的傩堂戏,曾经历了傩祭傩仪傩舞傩戏的演变历程。
2.In the Zhou Dynasty, in particular, this type of dance was differentiated as "Guonuo"and "Xiangrennuo".周代，并有"国傩"、"乡人傩"之分。
3.The Feasibility Analysis of Creating Exorcism Boxing Based on Nan Feng Exorcism Dance;基于南丰傩舞创编傩拳的可行性分析
4.Analysis on the Feasibility of Adapting the Exorcising Dance of Nanfeng into Exorcising Exercise;将南丰傩舞改编成傩操的可行性分析
5.On the Music in Festival Lantern Opera and Nuo Opera in Xiang Xi;湘西花(花灯戏)傩(傩戏)音乐拾零
6.On the Function of Nuoji and Nuoxi in the Perspective of Contemporary Culture;当代文化视角下的傩祭与傩戏功能浅析
7.Nuo Ceremony:From Totem to Opera,Based on the Case Study. Tiger Nuo of Yi nationality in Shuang Bai County,Yunnan Province;傩仪:从图腾到戏剧——以云南双柏彝族虎傩为个案
8.Multidimensional Luo:Plays and Culture--A Comprehensive Report about North Guizhou International Forum of Luo Plays and Culture Held in Zunyi, China多维视野下的傩戏傩文化——中国·遵义黔北傩文化国际学术研讨会综述
9.The effects of Taoism on Nuo Opera in southeast Chongqing--Taking incantations for removing masks in Yujia s Nuo Opera at Xiushan as an example;道教对渝东南傩戏的影响——以秀山余家傩戏面具开光咒语为例
10.Dramatic Art as Cultural-historical Sediment:--The Origin,Development,and Artistic Substance of the Nuo Opera;历史文化的积淀——从傩戏的起源和发展探傩戏的本质
11.On Environment Factors of Creation and Development of Nuo′s Culture;论傩文化创生传承的环境因素——以湘西傩文化为例
12.Both of them have deep relations with the "Nuo"dance in ancient times.它们与古傩都有着深远的源流关系。
13.In its northern districts the peasants have prohibited the incense-burning processions to propitiate the god of pestilence.北乡各区农民禁止家神老爷（傩神）游香。
14."Nuo"dancers usually wear masks."傩舞"大都是戴着面具表演的舞蹈，
15.The contract, signed in September1941, required that at least500,000 square feet(46,500 square metres) of building be ready for occupancy no later than May1 st.昵┒┑暮驮贾刑岢隽酥辽傩枰
16.The Comprehensive View of Exorcise,Shaman and Yoga in Myth Renaissance傩、萨满、瑜伽——神话复兴视野上的通观
17.The Calendar of the Dancers--Exorcism Dance and Stomping Songs of the Blang People in Shidian;舞者日历——施甸布朗族的“傩舞”与“踏歌”
18.Research on Culturaanges of Nuo Opera from Its Ranges of Performance Space;从傩戏的表演空间范围看其文化变迁
相关短句/例句
Nuo god and goddess傩公傩母
1.Nuo god and goddess are spouse,who are worshiped in Nuo altar in Hunan,Hubei,Sichuan,Chongqing,Guizhou,Yunnan,and other provinces.傩公傩母是湘、鄂、川、渝、黔、滇等省(市)傩坛班崇拜的一对配偶神。
3)"Nuo" in Jiangxi Provimce赣傩
4)Danuo大傩
1.The confluence of ceremony about Tangzeng and Danuo;“堂赠”与“大傩”合流考
2.The music was used not only on the ceremonies for emperors,empress dowagers,queens,crown princes,princes and ministers of certain ranks,but also on the occasions for victory,Heshuofagu,Danuo,marriages,funerals,night alarm and morning curfew.鼓吹曲既用于皇帝、皇太后、皇后、皇太子、亲王以及一定品级大臣的仪仗,又用于凯乐、合朔伐鼓、大傩、婚葬和夜警晨严等场合。
5)Gaonuo高傩
1.Spatial Plastic Arts in Ceremonial Environment——A Case Study of Gaonuo in Sangzhi;仪式环境中的空间造型艺术——以桑植高傩为个案分析
6)Na Yuan傩愿
1.This is to introduce types of Na Yuan(wishes) and the procedures of the rites of Na Yuan and the way of culture spreading of Maonan Nationality.介绍毛南族傩愿种类和傩愿仪式的程序及毛南族傩文化的传承方式。
延伸阅读
傩傩中国古代宗教文化。初司驱鬼逐疫之职。《诗经·卫风》与《吕氏春秋》均有记载。为了驱逐疫鬼而举行的祭祀仪式，谓之傩仪。汉代以前，每年举行3次，时在三月、八月、十二月，俱为天子所命。主角是方相氏，戴面具，蒙熊皮，执戈扬盾，口作傩傩之声，边歌边舞。三国魏何晏等人所作《论语集解义疏》之《乡党》篇，已有详细载录。傩仪由天子所命的庄严祭祀，渐变发展到民间，经历了逐疫、酬神、世俗化3个阶段：①随着道教的兴起和汉末佛教传入中国，变驱鬼逐疫而为酬神纳吉。②主角方相氏让位于青龙、白虎及佛教中的金刚、力士等护法神。③随着宗教的世俗化，变酬神而为娱人，传统的不可侵犯的神祗，一变而为傩公、傩母；再变则成灶公、灶母；至晚唐，连乞丐也加进了傩仪的行列。至宋，神秘的宗教色彩逐渐淡化，而现实社会的习俗充塞傩祭仪式，自元旦至元宵，丐户戴面具，穿红衣，挈党连群，通宵达旦，遍索酒食，场面十分壮观。约在元明时，嬗变而成傩戏。作为宗教文化形态的傩，本世纪中叶以后，引起各国学者的注意，并进行了频繁的学术交流。
