1)a dispute over Chinese paintings中国画论争
英文短句/例句
1.On the Two Focal Issues in the 20th-century“Dispute Over Chinese Paintings”;论20世纪“中国画论争”的两个焦点问题
2.On the Sino-Japanese War Period of Chinese Oil Paintings in the Image of Women;论抗日战争时期中国油画中的女性形象
3.The Exploration of Dispute: Between Modernistic and Realistic Painting in China s Early 20~(th) Century;中国20世纪早期现代派与写实派绘画争论探源
4.On Inheritance and Innovation;再论继承与创新——兼析中国画现代与传统之争
5.On the Controversy of Lingnan Art School's Vicissitude and the Mentality of Contemporary Chinese Painting in Guangdong岭南画派“兴衰起止”问题的论争与当代广东中国画坛的心态
6.The dispute about tradition and innovation has frequently been heard in the art circles.中国书画艺术界关于传统与创新的争论常常不绝于耳。
7.The issue caused by painting in the poem in the history and its substances;历代“诗中有画”所引起的争论及其实质
8.There is no War in the Art--Analysis of the Reason Why There is a few War Paintings in China before Ming and Qing Dynasty绘画无“战事”——中国古代战争画稀少原因之浅析
9.On the Historical Value of Sheng Hua Ji论中国首部题画诗集《声画集》的画史价值
10.Harmony between Inscription Calligrphy and Artistic Conception in Chinese Painting论中国画题款书法与画面意境的和谐
11.On the Impact of Chinese Paintings for China Contemporary Animation Design;论中国画对当代中国动画片设计的影响
12.The Form Factors of the Chinese Painting--Brief discussions about the ornaments of the Chinese painting;中国画的形式因素——简论中国画的装饰性
13.On the Tendency of Water Color Painting in the Aesthetic Features of Chinese Traditional Painting;论水彩画在中国传统绘画审美特征中的取向
14.Reference and creation: discussing the application of traditional Chinese painting line-skill in fountain pen painting;借鉴与创造——论中国书画线条在钢笔画中的应用
15.The Opportunity for Theoretical Innovation of Chinese Painting:Combination between Marxism and Theory of Chinese Painting中国画理论创新的契机探析——兼论马克思主义与中国画理论的结合
16.On Similarity of Chinese Ceramic Painting and Traditional Chinese Painting;论中国陶瓷表现与中国画的同构关系
17.Discussion on Relation between Chinese Classical Gardens and Chinese Landscape Painting;论中国古典园林与中国山水画的关系
18.Try to Argue Literati Painting Gives Many Practical Importance on Modern Chinese Painting;试论古代文人画对现代中国画发展的现实意义
相关短句/例句
Chinese painting criticism中国画论
3)the treatise of traditional Chinese painting中国画论文
1.The paper aims at the writer applying the way of thesaurus to classify the treatise of traditional Chinese painting, having a better understanding of the theory of classification, accumulating a wealth of practice experience.总结了笔者在对中国画论文运用主题词法分类的实践中对分类理论的进一步认识和一些实践经验。
4)theory of Chinese Painting中国画理论
5)Chinese painting theory中国绘画理论
1."Qu" is one of the most important aesthetic categories in the visual field of Chinese painting theory criticism."趣"是中国绘画理论批评视野中的重要审美范畴,中国画论视野中的画"趣"论,大致经历了三个阶段:作为一个绘画审美批评概念,它在魏晋南北朝被引入画学批评中;唐宋时期,它得到进一步的充实和发展,逐渐升格为一个绘画审美批评范畴;明清时期,论家对"趣"作为绘画艺术的本质、特征及其来源、生成等予以了进一步的深化论述,"尚趣"呈现出前所未有的兴盛局面,体现为一种时代艺术精神和一股艺术审美思潮相别于前朝。
6)Chinese ancient art theory中国古代画论
1.This paper is to enter into the Chinese ancient art theory on the perspective of "being present" by Martin Heidegger.本文将试从海德格尔关于”在场”的思想角度出发来重新观照诠释中国古代画论,以期进一步更好的深入理解中国古代画论的丰厚内涵。
延伸阅读
“鸡公山别墅群”(中国画)“鸡公山别墅群”(中国画) “鸡公山别墅群”(中国画)作者:张仁芝